Search Details

Word: borrowings (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...What this guy did," Shea states," would be to go to students studying in Widener and ask them what course they were taking. He would then borrow all the books for that course in the library. Then no one could get any to study. After this incident, I had plates put in all books that were returned, saying 'The man who stole this book from the library is now serving a sentence of two and a half years at hard labor...

Author: By Philip M. Cronin, | Title: Faculty Profile | 12/12/1951 | See Source »

...young English Tory, David Eccles, may, as TIME [Oct. 22] says, have "a gift for the happy phrase," but the particular phrase* you quote shows not a gift but a tendency to borrow...

Author: /time Magazine | Title: Letters, Nov. 19, 1951 | 11/19/1951 | See Source »

Financial assistance is provided by the Student Loan Fund. In order to qualify for any further financial assistance, men are required to borrow a sum of $1500 at an interest rate of 4 1/2% which begins to accumulate only after graduation. The money must be repaid within four years after the student has left the School...

Author: NO WRITER ATTRIBUTED | Title: Busy School Aid Program Awards No Scholarships, Stresses Loans | 10/25/1951 | See Source »

Bogotá's art fraternity was enthusiastic about Rodriguez' luminous beauties. The Spanish ambassador asked to borrow two of them for exhibition in Spain. But decency leaguers, known as the beatas (the pious ones), were scandalized. Father Eduardo Ospina, Jesuit professor of art at the Universidad Javeriana, sided with the beatas: "Crowds don't possess the artistic capacity to appreciate the total beauty of the human body." Bogotá's Roman Catholic archbishop, Monsignor Crisanto Luque, formally asked the Education Ministry (which runs the museum) to take the offending ladies down...

Author: /time Magazine | Title: Art: Beauty & the Beatas | 10/22/1951 | See Source »

...course, the whole show. He takes the standard classics-"Muskrat Ramble," "That's Aplenty," "Tin Roof Blues," etc.-and gets something different out of each of them. I have heard him play "High Society" at least five times, once for almost twenty minutes, and never did he repeat or borrow from any source other than his limitless creative inspiration. And he takes such surprising tunes as "Casey Jones" and turns them into jazz classics...

Author: By Andrew E. Norman, | Title: The Jazzgoer | 10/22/1951 | See Source »

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