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When elections were held last week in the Dominican Republic, the two closest contenders for President were old -- very old -- rivals: Joaquin Balaguer, 82 and blind with glaucoma, the current leader, and Juan Bosch, 80, a Marxist and former President who now endorses capitalism as the way to cure the country's economy...

Author: /time Magazine | Title: Dominican Republic: Battle of the Dinosaurs | 5/28/1990 | See Source »

Early returns gave the feisty Bosch the lead, but by week's end, with nearly 87% of the votes counted, Balaguer had squeaked ahead with 11,000 votes. Declaring the election a "colossal fraud," Bosch called for massive demonstrations. Says a Dominican pollster: "It appears that the elder of the dinosaurs...

Author: /time Magazine | Title: Dominican Republic: Battle of the Dinosaurs | 5/28/1990 | See Source »

...recycling, which generates an estimated $700 million a year, by selling it to scrap dealers who lately have raised their prices. Last year in Detroit, the price of aluminum leaped from 20 cents to 45 cents per lb. "When they go to the scrapyard," fumes Detroit community activist Pat Bosch, "no questions are asked." For law-abiding citizens already beleaguered by drug- trafficking, arson and the indifference of the city administration, aluminum thievery is the last straw. "They're devastating the city," complains Sophie Sroczynski, who had siding torn from her garage: "It's almost unbearable...

Author: /time Magazine | Title: Detroit: This Crime Is Off the Wall | 10/31/1988 | See Source »

...Brood, Scanners and Videodrome. Heads explode, and monsters issue from the wombs of women. In Cronenberg's masterwork, The Fly, one man wages a heroic, doomed struggle against physical and moral degeneration; his body has a twisted mind of its own. The catalog of punishments seems medieval -- Savonarola meets Bosch -- even as it taps baby boomers' fears of decaying vitality and eviscerated dreams. For Cronenberg the body is a haunted house whose rumblings trigger lust, mystery and excruciating pain in the poor tenant. This property is condemned...

Author: /time Magazine | Title: Cinema: A Terminal Case of Brotherly Love DEAD RINGERS | 9/26/1988 | See Source »

Martha Clarke is the hottest figure in New York City's avant-garde theater, bringing an erstwhile dancer's feel for movement and a gift for making startlingly beautiful stage pictures to The Garden of Earthly Delights (1984), based on Hieronymus Bosch's painting, and Vienna: Lusthaus (1986), which suggested the way 19th century romanticism evolved toward 20th century Holocaust. Clarke's allusive, dreamlike style can mesmerize audiences into believing they perceive subtle new connections among ideas and events. But in The Hunger Artist, which opened off-Broadway last week, Clarke has turned toward narrative and dialogue, and what meets...

Author: /time Magazine | Title: Theater: Feast For The Eye | 3/9/1987 | See Source »

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