Word: bosley
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Dates: during 1950-1959
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...musical, Fiorello (TIME, Dec. 7), Actor Tom Bosley appears before Broadway audiences for the first time and gives them what they thought they had seen for the last time: the fire, drive and percussion of New York's Little Flower. "I was thunderstruck by the similarity," said Morris. Bosley reads the funnies with a perfect croak, pushes back his coat to place his hands, fingers down, on his hips while speaking, sings in a voice like the one that must have sounded in the shower at Gracie Mansion. He makes the most of his pudgy hands and Little Flower...
Eight years ago, Actor Bosley was a restaurant doorman. Born in Chicago, he started out there after discharge from the Navy in 1946, worked on local radio shows, did summer stock. Moving on to New York four years later, he picked up small acting jobs off Broadway and on TV, kept up his La Guardian waistline by checking hats at Lindy's (all the cheesecake he could eat). Good off-Broadway jobs came in The Sea Gull (1954), Thieves' Carnival (1955), The Beaux' Stratagem, and The Power and the Glory (last year). Bosley won the La Guardia...
...give you till you're 30 to make it," Bosley's mother once said to him. When he was 30, she said "31" and the next year "32." This season, at 32, Tom Bosley made...
...befits an evening of fun, Fiorello! portrays a crusader without ever adopting the tone of a crusade. While pumping lead into ward politics and taking potshots at the Tammany wigwam, it pokes the right touch of fun at Fiorello's own brandished tomahawk. Winningly played by Tom Bosley, La Guardia proves the more engaging for not being too lovable, the more enlivening for not being too reasonable. And as a period piece that comes up with, among other things, battered Pathe news shots, Fiorello! often has an earned nostalgia...
Other shows, not quite so prosperous, are moving to Manhattan with equal enthusiasm. Among the more promising: ¶ Fiorello!, with newcomer Tom Bosley an accurate re-creation of New York's "Little Flower" La Guardia, is filled with warmth, schmalz and a lively choreography that amounts to expertly organized pandemonium. Directed by George Abbott, boasting a bouncy score (by Jerry Bock) and urbane lyrics (by Sheldon Harnick), Fiorello! moves from Manhattan's garment district to Washington's Capitol Hill to New York's City Hall at a breathless pace. Crowed the Philadelphia Inquirer: "The new champion...