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...nostalgia is defined as that which tells the past the way it really wasn't, then this musical version of Leo Rosten's story of an endearing and spunky immigrant tailor is nostalgic. Tom Bosley and Barbara Minkus are performers who make more lyrical music together than the score does...

Author: /time Magazine | Title: Television: Apr. 26, 1968 | 4/26/1968 | See Source »

...nostalgia is defined as that which tells the past the way it really wasn't, then this musical version of Leo Rosten's story of an endearing and spunky immigrant tailor is nostalgic. Tom Bosley and Barbara Minkus are performers who make more lyrical music together than the score does...

Author: /time Magazine | Title: Television: Apr. 19, 1968 | 4/19/1968 | See Source »

...title character, Hyman Kaplan (Tom Bosley), is likable even though he is an outrageous showoff. To him and to the other immigrants attending a night-school class in Americanization, the English language is a terrifying octopus at which they slash, tentacle by tentacle, in a melee of dialect comedy and amusing linguistic boners. Kaplan is in a one-man class by himself. If the teacher, an earnest young Ivy League graduate named Mr. Parkhill (Gary Krawford) rebukes him, Kaplan rebukes right back. Kaplan answers twice as many questions as are ever asked, and holds the attention of his fellow class...

Author: /time Magazine | Title: New Plays: The Education of H*y*m*a*n K*a*p*l*a*n | 4/12/1968 | See Source »

...questions. Asked to recite the Preamble to the Constitution, the marvelously assured Kaplan rattles off the Boy Scout oath. "That isn't in the Constitution," he is told. His face momentarily clouded in mock chagrin, Kaplan replies, "It isn't? Well, it should be." Saturated with Tom Bosley's warm humanity and lit with his winning smile, Kaplan seems to exemplify what F. Scott Fitzgerald once defined as the essence of America-"a willingness of the heart...

Author: /time Magazine | Title: New Plays: The Education of H*y*m*a*n K*a*p*l*a*n | 4/12/1968 | See Source »

ELVIRA MADIGAN is not the most beautiful film ever made. It is not "perfect," or "absolutely gorgeous," or "exquisite," or any of the other things Bosley Crowther and his friends said about it. Director Bo Widerberg presents us with an unconvincing, confusing story fraught with technical flaws. In spots, he is brilliant. Single frames seem like French Impressionist paintings...

Author: By James K. Glassman, | Title: Elvira Madigan | 3/14/1968 | See Source »

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