Word: bosomed
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Dates: during 1920-1929
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Interest attached to the Derita play, The Last of the Lowries, when, last week, its author, Paul Green, received a 1927 Pulitzer Prize for his longer work, In Abraham's Bosom. But it was to Mr. Sampson by Charles Lee and The Delta Wife by Walter McClellan, to The Immortal Beloved by Martia Leonard, and The Fool's Errand by Eulalie Spence, that prizes of $200 were given for intrinsic dramatic merit...
...fields of conservatism. On the whole, however, virtue has earned its own reward. Practically the sole divisions of the Pulitzer selections which the average citizen is in any way capable of judging are those of the drama, the novel, and possibly that of the newspaper editorial. In "Abraham's Bosom" the jury has elected a thoughtful and sincere play; in "Early Autumn" a restrained and carefully finished piece of fiction; and in "The Herald Commends", an editorial which was not only worthy in itself but which took a brave and courageous stand on an important topic. If the Pulitzer prizes...
...ineptitude" of Sir Auckland Geddes (onetime [ 1920-24 ] British Ambassador at Washington), the "tender bosom" of Winston Churchill (Chancellor of the Exchequer), the "ignorance, stupidity or arrogance" of the British Commonwealth of Nations-all were last week rebuked by a patriotic U. S. woman-Miss Sophy Stanton, moderately famed granddaughter of Abraham Lincoln's Secretary of War, Edwin McMasters Stanton...
...Field God. Those who expected Paul Green's second play to be like his first this season, In Abraham's Bosom (TIME, Jan. 17), a contemplation of the North Carolina Negro, may have been surprised to find him now gazing with catholic compassion upon the tragedy of a white North Carolina farmer who marries his niece in defiance of rooted superstitions. Stern Jehovah frowns upon the unorthodox union-their offspring is taken in death, the crops fail. A dying baby is God's revenge. In the end love prevails over the code. The angry blast...
Goat Alley. The fact that all the actors and characters in this play are Negroes lends a flavor of piquancy to what might otherwise be an undistinguished dish of canned melodrama. The heroine is forced by poverty and misunderstanding, from one man's bosom to another's, thereby irritating her husband into catastrophic petulance. He does his beastly best, poor fellow, in the third act, never realizing that deep down she loved him always. "Earnest but crude," said generous critics...