Word: bossa
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Dates: during 1960-1969
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...office, Mann has attracted a devoted following from "the lay and fringe public" with a unique amalgam of jazz and ethnic music. Last week, in Manhattan's cavernous Village Gate, the Herbie Mann Septet was serving up one of its typical jazz potpourris: gently infectious bossa nova, thumping Afro-Cuban, variations on a North African tribal chant, a Middle Eastern treatment of the theme from Fiddler on the Roof, a brooding interpretation of a classical piano piece writ ten in 1888 by French Composer Erik Satie. Mann also introduced a new gimmick: he played a flute improvisation against...
...Back in the U.S. the combo's "ethnic jazz" gained a wide audience. But in the mounting din of his drummers Mann found himself becoming "a sideman in my own group" and he fled to Brazil. He came back playing a new music that helped touch off the bossa-nova craze...
...slim, meek Astrud Gilberto, 24, stood before a microphone and sang The Girl from Ipanema, in a voice so soft and introverted that it barely cut the smoke. Behind her, Stan Getz wove wispy filigrees on his tenor sax to produce the most infectious "new sound" around-the bossa nova nova...
Eloquent Sermon. It all started a year ago, when the easy charm of bossa nova had been drowned in a din of bongo drums, maracas and raucous studio bands. Getz met with Singer-Guitarist Joāo Gilberto, Brazil's "pope of the bossa nova," and decided to cut one "true" bossa nova album. Gilberto's wife Astrud, who had never sung outside the kitchen before, was enlisted as an afterthought to sing the English lyrics to The Girl from Ipanema that Joāo sang in Portuguese. This spring, when it was felt that the odor...
Most of the melodies are provided by Antonio Carlos Jobim, Brazil's leading bossa nova composer, who also backs up the lead duo with sensitive piano playing. The result is an eloquent sermon on what the bossa nova was originally all about. The relaxed, almost flat vocal styling of Joāo sounds as if he were whispering in your ear, and it is exquisitely embroidered by the ethereal solos of Getz's lyrical tenor...