Word: bostwicks
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...Spin City: The Complete First Season Deceiving the media was never more delightful than in this 1996 sitcom set in New York's city hall. As Deputy Mayor Mike Flaherty, tap-dancing for the press while managing a gaffe-machine mayor (Barry Bostwick), Michael J. Fox is a breath of fresh...
...faithful in each city work their own variations on a standard text. As the ruby lips in the film's opening credits give way to a wedding attended by normal, nerdy young Americans Brad Majors (Barry Bostwick) and Janet Weiss (Susan Sarandon), the audience in Coconut Grove, Fla., flings rice gaily in the air. When the young lovers get stranded in the rain, regulars in Denver douse the front rows with squirt bottles. When Brad and Janet see "a light over at the Frankenstein place," hundreds of lighters, flashlights and one small '50s table lamp illuminate the Eighth Street Playhouse...
Rocky Horror began on stage as a spoof musical. The film adaptation, starring Susan Sarandon, Tim Curry and Barry Bostwick, flopped in 1975. But the next year, when the Waverly Theater in New York showed the film as an April Fool’s gimmick, it began its midnight reign...
...Alex with his own Pottery Barn-furnished apartment. Like Alex he is guided by no redeeming ideals or principles. Instead, Flaherty lives quite happily for the rush of weaving the lies and quarter truths that will mend his boss's innumerable gaffes. When Mayor Randall Winston (played by Barry Bostwick with an unfortunate excess of dimwittedness) slights the gay community, Flaherty jauntily cooks up a scheme to convince the press that the administration is not bigoted by trying to force a straight staff member to pretend...
...have been the usual shifting of deck chairs on the Titanic. Writer-director Arthur Laurents gave his plot not just one hook but two: the murder of a female bookkeeper with a surprisingly glamorous set of associates and the marital troubles of Nick and Nora Charles (Barry Bostwick and Joanna Gleason), the detectives who are on the case. But Laurents seems to have had trouble taking either half of the story seriously. The mystery investigation involves a series of pantomime flashbacks, each sillier-looking than the one before. The title characters are written so carelessly that in the opening scene...