Word: botches
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Dates: during 1970-1979
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...seems that the Gambinos, at least, are certain who the killer was. Being perfectionists in the techniques of homicide, they are said to have convened their own court of inquiry into Gallo's death. They charged that the execution was a near-botch, an untidy, saloon-style shootout in which the gunman managed to kill Gallo only by sheer luck. The "defense" argued that because Gallo and his bodyguard were unexpectedly not facing the door, the assassin had to open fire before he was sure which of the two was Gallo. The Gambinos, in a rare display of leniency...
...writes (Rousseau Hegel). Judith Shklar "defies classification." Her surprising humility and the bitterness that sometimes tinged her conversation stem, one of her students thinks, from her own philosophical and humanitarian goals. While appreciating herself what the contradictions of man's existence are, she is constantly distressed at what a botch people have made and make in trying to resolve them. More than anyone she is aware of the possibly irreducible contradictions in human life, but she also feels that it is one's obligation to life and reason to make one's existence as fulfilling and redeeming as possible...
...Botch. The Arctic Games were inspired by the abysmal performances of the athletes from the Yukon and Northwest Territories in conventional sports at the Canada Winter Games held in Quebec City in 1967. Says Lou LeFaive, director of Sports Canada: "The idea was to provide a level of competition that would enable Northerners to develop skills at a rate more compatible with that in the South." Native events were included...
...academic standards of its time, the figure of Annette on the Beach at Villerville (1910) is a botch-drawn as though made of string and plasticine, the skirt rendered in weird and only semilegible notations of white paint. Yet Vuillard caught with tender and ironic precision the way that people actually stand when they are not observed-along with the scoured blue of the Atlantic sky and the distant, promenading couples. It is like an amateur snapshot. Vuillard was, in fact, one of the first artists to use a Kodak systematically. It was his habit to set up his camera...
Sacco and Vanzetti is mired in good intentions. And though Montaldo's heart is in the rights place, his camera is not. Narratively, the film is a botch; it wanders and is tedious. Montaldo's boundless sympathy for the anarchist pair erodes his intellectual discipline, and the painstaking journey through the seven-year ordeal is finally not worth the effort...