Word: bottesini
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Dates: during 1930-1939
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...first, noted the audience, his tone wolfed and whistled a little. But as the ponderous instrument warmed up, Waldemar Giese began handling it with the ease of a cellist. Few composers have written exclusively for what jazzmen call "the dog-house." However, Bottesini's Elegie and Friedemann Bach's Largo earned Bull Fiddler Giese a pair of encores...
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