Word: botticelli
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Dates: during 1950-1959
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...having reliefs of lions, bulls and dragons in white on blue tiles. ¶ Thirty 7½-ft.-high bas-reliefs from the frieze of the Pergamon Altar, a vast Hellenistic masterpiece commissioned by King Eumenes II in Asia Minor about 180 B.C. ¶ A roomful of Botticelli drawings illustrating the Divine Comedy. ¶ Hundreds of top-rank Egyptian, Assyrian, Greek, Roman and Chinese statues and ceramics. ¶ Cranach's Judith and Holofernes, Bosch's small Temptation of St. Anthony, Hals's Mulatto...
...still at Yale ('13), steered his parents' tastes toward Italian primitives (works by Sassetta and Giovanni di Paolo are among the collection's current high points), began collecting hand-painted illuminations and drawings. In 1929 he proved his taste with a birthday present to his father: Botticelli's exquisite, miniature Annunciation...
...Buchner closed the doors of the museum and got his master plan rolling to save one of the finest collections of paintings in the world, including 74 Rubenses, 10 Rembrandts, 26 Van Dycks, 15 Dürers, 10 Titians, 12 Tintorettos, 9 Veroneses, choice works by Giotto, Raphael. Botticelli, Goya, El Greco, Velasquez, Poussin. More than 1,000 paintings were packed for storage and loaded on trucks. The best were sent to the salt mines near Salzburg, Austria, where Buchner's careful investigation had found perfect temperature and humidity, and a bombproof mountain on top. Director Buchner...
...tone. He writes with a simple eloquence that hides the labor of the file which must lurk in his carefully wrought phrases and comparisons. Perhaps his eloquence has the unhappy effect of making one think that the book communicates more than it does; to "explain" the Greeks, Michelangelo, Botticelli, Renoir, Picasso forces a certain glibness, even what seems like a comparatively limited aspect of art history. For if he enlarges the context of his critism perhaps too ambitiously, although on the surface and to the layman, the result is entirely happy...
...kept on the white-marble fireplace mantel of their quiet Paris apartment. Fascinated by the shell, Redon used it as the starting point for a motif as old as antiquity. His Birth of Venus is a subject that has inspired artists from the time of the Greeks to Botticelli. Redon painted it as something glimpsed deep in the sea or seen fleetingly but unforgettably in a dream...