Word: bottin
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...Baker is the one FX makeup artist to snag more Oscars than Winston did: six, to his four. But he's had competition from his one-time apprentice Rob Bottin, who designed John Carpenter's threatening Thing, the original RoboCop and the twisted uggies in Total Recall. And a tip of the skull to Tom Savini, "the Godfather of Gore" who's made every known body part, and a few that should have remained unknown, drip, crack or explode in his six fright films with George A. Romero...
...Sometimes he built on the design work of others. He adapted H.R. Giger's creature from Alien for the mommy monster in the sequel, and developed Bottin's FX of the wormy, slightly Strom Thurmonish invader in The Thing. (Note to the budding creators of creatures: When in doubt, give them an extra set of teeth-the better to eat you with, my dear.) Winston's ickiest godchildren would face off in Alien vs. Predator and a 2007 sequel, which he sat out. That stuff was mostly computer-generated, anyway...
...Thing's spectacular depredations. When it invades a body, a man's guts may open and snap shut, taking a bystander's hands off in the process. Or a head may come loose, sprout insect legs and toddle off across the floor. Designer Rob Bottin's work is novel and unforgettable, but since it exists in a near vacuum emotionally, it becomes too domineering dramatically and something of an exercise in abstract art. The weird lad down the block, the one who is always fooling around with his chemistry set, will love The Thing. The rest...
...Bottin, 22-a pupil of Baker, 30, who is in turn a disciple of Smith-used bladders for different effects in The Howling. Thousands of these little bags were glued to the actors' faces, which were then covered with masks of false skin. At the proper moment, the sacs were inflated, and the faces seemed to grow as big as beach balls-about the size, that is, of the average movie werewolf's face. Bottin also devised fanglike teeth for his werewolves, rubber incisors that stretched when the actors pressed little triggers with their tongues...
...Kenton); Roger Corman, godfather to many young directors, makes a cameo appearance, as do Forrest Ackerman, editor of Famous Monsters of Filmland magazine, and Sayles himself. Trouble is The Howling is too insistent on parading its enshocklopedic knowledge to raise Hackle One on any moviegoer's neck. Rob Bottin's special makeup effects may deserve extended study, but the movie shouldn't stop dead in its lycanthropic tracks while a man turns oh-so-slowly into a werewolf-twice. Though The Howling is doing big business with the women-in-jeopardy crowd, it will add no luster...