Word: bottom
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Dates: during 1960-1969
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Artful Euivocqations are even worse; lynx-eyed sly little rascals that we are, we see right through them. (Up to Exam #40. Then our lynx-eyelids droop, and grading habits relax. Try to get on the bottom of the pile.) Again, it is not that A.E.'s are vicious or ludicrous as such: but in quantity they become sheer madness. Or induce it. "The 20th Century has never recovered from the effects of Marx and Freud" (V.G.); "but whether this is a good thing or a bad is difficult to say" (A.E.). Now, one might be droll enough...
David and Lisa. In his first movie, made for less than $200,000, Director Frank Perry tells a heartrending, heart-warming tale of two psychotic adolescents (Keir Dullea and Janet Margolin) who find love at the bottom of the snake...
...story office building for IBM in Seattle, faced with slender, concrete-clad steel ribs that support the structure and give the building a delicate, almost at tenuated upward sweep. The arched colonnade at the bottom daringly omits corner columns. The Outsider. A few years ago. when his income had begun to swell, Yamasaki started looking for a larger house for his family, in either Birmingham or Grosse Pointe. But he soon found that even though he is one of Detroit's most famous citizens, he is also a Nisei and therefore still partly an outsider. His real estate broker...
...mice to study its effect on sucklings; his pal built a Geiger counter to help out. One eighth-grader analyzed Detroit newspapers to see how fairly they covered Michigan's gubernatorial campaign. Another designed a tiny bathysphere with sensing devices, so he can send a hamster to the bottom of a deep lake and record its reactions...
...explains his painting. It is: "A square (neutral, shapeless) canvas, five feet wide, five feet high, as high as a man, as wide as a man's outstretched arms (not large, not small, sizeless), trisected (no composition), one horizontal form negating one vertical form (formless, no top, no bottom, directionless), three (more or less) dark (lightless), non-contrasting (colorless) colors, brushwork brushed out to remove brushwork, a mat, flat, freehand painted surface (glossless, texture-less, nonlinear, no hard edge, no soft edge) which does not reflect its surroundings-a pure, abstract nonobjective, timeless, spaceless, changeless, relation-less, disinterested painting...