Word: bottome
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Dates: during 1960-1969
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...love, individuality and humanity. All the hippies are attempting is to set the course straight. As for drugs, I am 17 years old and am looking forward to experiencing the psychedelic field. I am already tired of viewing objects from the same patterned angles and perspectives, that is, from bottom, top, sideways -I want to get inside things, in the mainstream, bloodstream-sightsee the system, so to speak. Don't put us down too fast -we merely want to explore countries that you have only sailed around...
...three runs in the game came on three wind-lofted home runs, the last of which-a 375-ft. fly ball by Cincinnati's Tony Perez-gave the National League a one-run lead in the top half of the 15th inning. To preserve that lead in the bottom of the 15th, National League Manager Walter Alston did what seemed to be a foolish and romantic thing. He called on Righthand Pitcher Tom Seaver, 22, a smooth-cheeked rookie from the last-place New York Mets. A fly ball, a walk, another fly and a strikeout later, young...
AMERICAN SHAKESPEARE FESTIVAL, Stratford, Conn. Morris Carnovsky is Shylock in The Merchant of Venice; Cyril Ritchard doubles as Oberon and Bottom in A Midsummer Night's Dream; Maria Tucci plays the title role of Jean Anouilh's Antigone until Sept. 10. Macbeth joins the repertory July...
...school teachers often reduced Jesus to a "sissified Mary's little lamb," Barton set out to prove that, in truth, he was a real get-up-and-go type. "He was the most popular dinner guest in Jerusalem," wrote Barton. "A failure! He picked twelve men from the bottom ranks of business and forged them into an organization that conquered the world." The Man topped the bestseller list for two years, inspired Barton to produce He Upset the World, a Biblical analysis meant to prove that had Paul lived in the 20th century, instead of being beheaded he would...
...play, a widely uneven play, an inadequately controlled play, a poorly shaped play. This is not to say that it isn't a good play when seen in the context of all plays, but just that, within the oeuvre of Shakespeare himself, it falls qualipatively well down in the bottom half of his output. No matter what approach one brings to the work, there is a shift of tone between the first four acts and the fifth. The material for a black-comedy interpretation is undeniably present in the text; when it is tapped to the hilt, though, the ines...