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Word: boudoir (lookup in dictionary) (lookup stats)
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Whether or not the French deserve their frequently self-bestowed laurels as great lovers, few would deny that they are consummate kiss-and-tell artists. Over the centuries, they have told all in diaries, letters, memoirs, novels and the social chronicles of boudoir, salon and brothel. With one eye on the lofty mystery of love and the other hovering at the keyhole, British Author Nina Epton scans the Gallic love parade in an amusing though helter-skelter review...

Author: /time Magazine | Title: Books: L'Amour the Merrier | 2/22/1960 | See Source »

...small towns of France, where apparently a Madame Bovary is still born every minute, and the heroine, who will seem to U.S. audiences no more than a roundheeled dunce, has become a national heroine of the French ''a sort of Joan of Arc of the boudoir...

Author: /time Magazine | Title: Cinema: The New Wave Rolls On | 1/25/1960 | See Source »

Hollywood's Jack Warner saw the movie and brought the beautiful young man to Hollywood, where he promptly came to the attention of Lili Damita, a star of second magnitude who earned his admiration with her "glorious boudoir art." One night Lili stood on a window sill and threatened to jump if Flynn refused to make an honest woman of her. Flynn gave in, made a $2 deposit on a venture that cost him more than $1,000,000 in alimony before he died...

Author: /time Magazine | Title: HOLLYWOOD: 14,001 Nights | 1/4/1960 | See Source »

...style that comes from long experience. Of the two singers making their debut, Finnish Bass-Baritone Kim Borg (as the Count) was adequate, but Swedish Soprano Elisabeth Soederstroem (as Susanna) was a silvery voiced delight. The sets by Designer Oliver (Rashomon, House of Flowers) Messel were superbly elegant: a boudoir whose rose-colored silk panels and drapes glowed with a kind of faded splendor, a formal garden suffused with the feathery, misty charm of a landscape by Watteau...

Author: /time Magazine | Title: Music: Fight over Figaro | 11/9/1959 | See Source »

...sets and costumes ever seen on the Metropolitan stage. Unfortunately, however, Messel's scenery was designed for an earlier production at Glyndebourne and has merely been adapted to the Metropolitan stage. Scaling up a small set doesn't always work at the Met and the second act decor, the boudoir of the Contessa, looks like an oversized parlor of an English country home...

Author: By Ian Strasfogel, | Title: A Week at the Opera | 10/30/1959 | See Source »

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