Word: boulevarded
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Scene 1. A spring morning, 1937, small office of Screen Agent George Ward, Sunset Boulevard, Los Angeles...
...after the final fade-out? And what of Laura Hunt and Waldo Lydecker (Gene Tierney and Clifton Webb in Laura), Guy Haines and Bruno Anthony (Farley Granger and Robert Walker in Strangers on a Train) and Norma Desmond and Joe Gillis (Gloria Swanson and William Holden in Sunset Boulevard...
...George and Sister-in-Law Laura enjoyed a pre-Christmas tryst at New York City's Pierre Hotel. Julian Kay (Richard Gere in American Gigolo) was born in an asylum, son of the mad Norma Desmond and Screenwriter Joe Gillis, whom she shot in the last reel of Sunset Boulevard. Julian is raised by Max von Mayerling (Erich von Stroheim), Norma's former husband and butler. After two dismal marriages, Judy Rogers (Natalie Wood in Rebel Without a Cause) joins a Haight-Ashbury commune...
...first trip to Britain. "I love it. I love it. It's beautiful. It's wonderful. It's perfect." "It's great, it's just great. We're not sleeping at all," says Carol Arend, a French teacher from Clarkston, Mich., as she sips a drink on the Boulevard du Montparnasse. In the four days since she arrived with a group of 35 students and teachers, she has done Chartres, the Loire valley chateaux, a champagne cellar near Reims, and the Eiffel Tower. Still ahead: the Louvre, Fontainebleau and a ballet...
...real characters. I didn't think anything was tasteless as long as it was funny." But tasteless is not really in the vocabulary of a gross-out scriptwriter. Some movie people shiver when they think of great film scenes: Gloria Swanson descending the stairs at the end of Sunset Boulevard, or Humphrey Bogart and Claude Rains walking into the fog at the conclusion of Casablanca. Gross-out writers receive a similar thrill when they remember John Belushi filling his mouth with mashed potatoes in Animal House--and then popping his cheeks and spewing out the contents...