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Keaton's decline was ghoulishly documented by the industry that caused it. He appeared as increasingly deteriorating versions of himself in Hollywood Cavalcade (1939), Sunset Boulevard (1950) and Beach Blanket Bingo (1965). He turned his anger inward and drank himself to distraction. Yet he also lived long enough to become the somewhat puzzled darling of academics and film historians. Samuel Beckett sought him out and wrote a screenplay, Film (1964), in which Keaton starred. When the two met for the first time, they discovered that they had almost nothing to talk about...

Author: /time Magazine | Title: Books: Hard Knocks | 9/3/1979 | See Source »

Coogan had no guile in him and a heart as wide as a boulevard. When Coogan is forcibly separated from the Tramp, his adoptive father, his cries of desperation can be heard plainly even in this silent film...

Author: /time Magazine | Title: Show Business: Brats and Perfect People | 8/13/1979 | See Source »

...state where the crisis had first appeared. In California, those long lines of May had disappeared. Instead, now that school is out, Los Angeles teen-agers have resumed their Wednesday night ritual of cruising; some 8,000 of them were packed bumper to bumper along Van Nuys Boulevard, drinking, chattering and flirting. The lines that occasionally appeared at gas stations were usually started by customers shopping for the best bargains. The tank topping had stopped...

Author: /time Magazine | Title: Nation: Hours of Waiting To Fill the Tank | 7/2/1979 | See Source »

...soon becomes his unwitting accomplice. What follows is a nonstop series of shootouts, chase scenes and mishaps that catapult the heroes from suburban New Jersey to Manhattan's treacherous West 30s and finally to a banana republic so corrupt that its main drag is called United Fruit Boulevard. There are encounters with the daredevil Chinese pilots of Wong Airlines, a mad Latin dictator (Richard Libertini) and a full symphony orchestra conducted by Carmen Dragon...

Author: /time Magazine | Title: Cinema: Bananas | 6/18/1979 | See Source »

...believe that Marthe Keller, who plays Fedora in the flashback scenes and her double in the contemporary sequences, has the Garboesque acting skills to match her undeniable beauty, and that requires a much more precarious leap of faith. Finally, because this movie invokes Director Wilder's earlier Sunset Boulevard, we are asked to accept a melodra matic manner of storytelling and characterization that is outmoded by at least a quarter of a century. Settings, dialogue, the very looks on the faces of everyone in Fedora's household teeter on the ludicrous...

Author: /time Magazine | Title: Cinema: Old Hat | 5/21/1979 | See Source »

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