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This radical method, so little acknowledged during Webern's lifetime, was eagerly embraced by the generation that came after him, the generation of Pierre Boulez and Karlheinz Stockhausen...

Author: /time Magazine | Title: Music: A Revolution in a Whisper | 11/5/1979 | See Source »

...lays before us a lifetime of composing in roughly three hours of listening time. (A further set, presumably comprising Webern's juvenilia and unpublished works, is planned for release at a later date.) The generally excellent performances, recorded over a period of 41/2 years under Pierre Boulez's direction, feature the London Symphony Orchestra and such guest artists as Violinist Isaac Stern, Pianist Charles Rosen and the late Gregor Piatigorsky. They supplant in every way the pioneering complete Webern recorded by Robert Craft in the 1950s, also on Columbia. The postman may never whistle Webern's melodies...

Author: /time Magazine | Title: Music: A Revolution in a Whisper | 11/5/1979 | See Source »

...Lulu in February, one of the masterpieces of 20th century opera stood revealed at last. Or did it? Berg left the orchestration of the third and final act unfinished at his death in 1935. For years the work had to be performed in truncated form. In Paris, Conductor Pierre Boulez unveiled the full score as completed by Viennese Composer Friedrich Cerha. But Director Patrice Chéreau's eccentric staging reflected as much Chéreau as Berg, and many of the composer's dramatic intentions remained unfulfilled...

Author: /time Magazine | Title: Music: Lulu Arrives in Full Dress | 8/13/1979 | See Source »

Early in the 1960s Berg's publishers, Universal Edition in Vienna, quietly commissioned Cerha to proceed with the orchestration anyway. After Helene Berg's death at 92 in 1976, a genteel scramble ensued. Liebermann had a secret advantage in Boulez, long the publishers' first choice to conduct the premiere...

Author: /time Magazine | Title: Music: Lulu Is the Toast of Paris | 3/12/1979 | See Source »

...Boulez's view of Lulu is close to Stravinsky's. "As Mahler did for the symphony, Berg simultaneously amplified and destroyed the traditional outline," Boulez says. "Today the relationship between music and theater requires different conditions, for which Berg set the precedent...

Author: /time Magazine | Title: Music: Lulu Is the Toast of Paris | 3/12/1979 | See Source »

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