Word: boulez
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...conduct he chose Pierre Boulez, known for his readings of modern works but not particularly for his Wagner. He then approached Berlin's Peter Stein to be director, and the word around Bayreuth is that the irreverent Stein proposed a Ring cycle without music. Wagner's next pick, suggested by Boulez, was Chéreau, the current enfant terrible of the Paris stage, whose only previous ventures into opera were an iconoclastic Tales of Hoffmann in Paris and Rossini's L'ltaliana in Algeri at Spoleto. ("You should watch this young man," said Luchino Visconti, director...
...changed in the Festspielhaus auditorium since Wagner designed it, and its acoustics are among the best in the world. The old man would probably relish the scene in 1976: the full house, the well-dressed crowd, the impresarios gathered from several continents. As for Chéreau and Boulez, Wagner would probably be one of the people who were both booing and clapping...
Last week the New York Philharmonic announced that, starting in 1978, Bombay-born Mehta, 39, would be sending himself willingly to New York to become the orchestra's music director. He succeeds French Composer-Conductor Pierre Boulez, who will quit in 1977 after six years to head a new musical-research institute. A onetime enfant terrible of the avantgarde, Boulez had a reign that was not so much stormy as trying-on him, the management and the subscribers. He was a supreme orchestral technician-his men called him the French Correction-and a master of 20th century music...
...Boulez was not able to charm the older subscribers or assert himself as an exciting interpreter of the bread-and-butter repertory. The Philharmonic will be looking to Mehta to repair those weak spots. Only 26 when he took over the Los Angeles Philharmonic in 1962, he still carries the nickname "Zubi Baby," but no one denies his musical credentials or his sex appeal. He does not dance on the podium like Leonard Bernstein, another predecessor in New York, but he does have an elegant presence...
...Mehta era will not exactly be a period of post-Boulez retrenchment, but it will be more traditional. Mehta's strengths are Brahms, Wagner and such post-romantics as Bruckner and Strauss. About his ability to develop and sustain an orchestra, Los Angeles Executive Director Ernest Fleishman says, "Zubin built the Philharmonic from an orchestra of the secondary rank to one of the dozen greats in the world." Mehta cried when he announced his departure at a morning rehearsal. The orchestra wept with him. Said one member, "New York is lucky...