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...violinist of his generation. His forthright, incisive playing can be heard at its youthful peak in this remarkable new recording (which also includes Bartok's First and Second Rhapsodies). Shaham's soaring interpretation, at once fiery and nobly lyrical, is a near perfect realization of a modern masterpiece; Pierre Boulez and the Chicago Symphony provide lucid support...

Author: /time Magazine | Title: Music: Bartok Violin Concerto No. 2 | 4/12/1999 | See Source »

...Buxtehude to Boulez, The little white dog on the Victor label Listens long and hard as he is able. It's all in a day's work, whatever plays...

Author: /time Magazine | Title: RADIANT IN ALL WEATHERS: JAMES MERRILL (1926-1995) | 2/20/1995 | See Source »

With 42 players remaining from the Szell era, the orchestra has lost none of its famous precision. Yet as buffed by Pierre Boulez, who became musical adviser after Szell's death in 1970; by Lorin Maazel, music director from 1972 to 1982; and now by Dohnanyi, it has added a voluptuousness that sets it above its stiffest American competition -- principally, Daniel Barenboim's Chicago Symphony, Leonard Slatkin's St. Louis Symphony and Kurt Masur's New York Philharmonic...

Author: /time Magazine | Title: The Finest Orchestra? (Surprise!) Cleveland | 1/10/1994 | See Source »

...Frankfurt Opera, where he was Georg Solti's assistant, Dohnanyi spent time in Lubeck, Cologne and finally his adopted hometown of Hamburg before heading to the shores of Lake Erie. He has ended any doubts about his abilities as a symphonic conductor with performances that combine Szell's rigor, Boulez's unerring ear and a controlled interpretative fire...

Author: /time Magazine | Title: The Finest Orchestra? (Surprise!) Cleveland | 1/10/1994 | See Source »

...addition to his 12 albums with the Mothers and his numerous other rock recordings, Zappa collaborated with the likes of composer Pierre Boulez and conductor Zubin Mehta on such pieces as The Perfect Stranger, a collection of chamber music, and 200 Motels, an "opera for television." The self-taught Zappa was as prickly and puckish about his "serious" music as he was about rock. "I write," he declared, "because I am personally amused by what I do, and if other people are amused by it, then it's fine. If they're not, then that's also fine...

Author: /time Magazine | Title: The Duke of Prunes: Frank Zappa (1940-1993) | 12/20/1993 | See Source »

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