Word: boultings
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...practice in the London suburb of Epsom and launched his musical quest in earnest. The Royal Academy and the Royal College of Music both rejected him as too old to enroll in conducting courses, so he practiced with amateur orchestras around London. When he approached Sir Adrian Boult, the doyen of British conductors, Boult offered to become his patient if he would stick to medicine. Instead, Bialoguski took a master class in conducting with Franco Ferrara in Siena, Italy. Eventually, Boult let Bialoguski rehearse the New Philharmonia in Beethoven's Prometheus overture. He did so well that the orchestra...
...Shakespeare's The Tempest: "We are such stuff as dreams are made on; and our little life is rounded with a sleep." The Lark Ascending is a delicate, attenuated tone poem for violin, played by Hugh Bean with proper lyricism. Conducting the New Philharmonia Orchestra, Sir Adrian Boult certainly lives up to his reputation as Vaughan Williams' foremost interpreter...
...They include Elisabeth Schwarzkopf and Jerome Mines, who sings majestically in spite of a few uncertain slides into home bass. Klemperer's sober new recording is musically the peer of Sir Thomas Beecham's big bright version with its heady hallelujahs (RCA Victor), and of Sir Adrian Boult's, which stars Joan Sutherland and her exquisite embellishments (London...
...Adrian Boult's Messiah, the one he recorded last year, is still attracting a lot of attention; but it's still not worth buying. Sir Adrian chose Miss Joan Sutherland as his soprano soloist, and it was a noble choice, but, unfortunately, Sir Adrian is a man who thinks that Miss Sutherland can only sing well when she is singing Puccini (a palpable falsehood). Consequently, Sir A. has ripped Handel's oratorio untimely from its century, making it as operatic Victorian as he possibly can. The result is an orchestra sprawling and unkempt, singers bawling and dyspeptic, and tempi crawling...
There's a new Messiah out this year (no surprise), but don't buy it. Joan Sutherland is its major attraction, and Sir Adrian Boult its conductor. And unfortunately, Sir Adrian is one of those who thinks that Miss Sutherland can only sing well when she is singing Puccini (a palpable falsehood). Consequently, Sir Adrian has ripped Handel's oratoria from its century, making it as operatic and as nineteenth-century as he can. The result is a sprawling, unkempt orchestra, bawling, dyspeptic singers, and crawling, inept tempos. (London A 4357--you'll recognize the album by the ugly crucifix...