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...Overall, a sluggish economy appears to have made it harder for the Class of 2008 to find employment, with 66 percent of workforce-bound seniors reporting that they have a job lined up after graduation, compared with 73 percent in a similar survey last year...

Author: By Adam M. Guren and Natalie I. Sherman, CRIMSON STAFF WRITERS | Title: Many ’08 grads head for finance and consulting | 6/3/2008 | See Source »

...close to three hours. He made brilliant use of the genuine tropical jungle against which the film was made. Scenes of marching men, jungles, hills and rivers are all tremendously effective in their CinemaScopic splendor, and the bridge goes up with a rousing blast. Moreover, every frame is closely bound up with the story: spectacle complements action instead of interfering with...

Author: By Julius Novick | Title: At the Gary: The Bridge on the River Kwai | 6/2/2008 | See Source »

...fast. But the political difficulties of mitigation aside (the first major federal cap-and-trade legislation will be up soon in the Senate, and isn't expected to pass), the problem is that the sheer amount of greenhouse gases we've already pumped into the atmosphere has irreversibly bound us to a certain amount of warming over the next several decades - no matter what we do, we'll have to adapt...

Author: /time Magazine | Title: Playing Climate Change Catch-Up | 6/1/2008 | See Source »

Faulks is a graceful writer with a bracing cold streak and a sharp eye for period detail (Bond's girl of the moment drives a white Sunbeam Alpine). But by now, Bond is so bound by convention--there must be exotic settings (Paris, Persia, Russia) and vehicles (the unstoppable Ekranoplan!), and the villain has to have an exotic handicap (a weird, deformed monkey hand)--that it's all poor James can do to wriggle convincingly under all that baggage. And escape, my dear 007, is quite impossible...

Author: /time Magazine | Title: Somebody Did It Better | 5/29/2008 | See Source »

HYPNOTIST Stare into the eyes of a Loretta Lux portrait long enough, and you're bound to feel both completely mesmerized and completely spooked. Lux's starkly pale, prepubescent subjects haunt the viewer from inside the image as if they were hiding some terrible secret. Remarkably captivating yet exceedingly eerie--the formula has turned the German photographer into an art-world phenom, earned her the coveted Infinity Award for Art from the International Center of Photography and made her a millionaire...

Author: /time Magazine | Title: Loretta Lux | 5/29/2008 | See Source »

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