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...Edouard Bourdet is director of the Théâtre Français, better known as the Comédie Francaise, which is the haughtiest and most famous theatre in the world. Recently the Comédie Franchise was delighted to honor French Playwright Henry Bernstein's Judith. But not, in Bernstein's opinion, to rehearse it properly. Thereupon Bernstein naturally insulted Bourdet. Bourdet naturally challenged Bernstein to a duel. It was Bourdet's first, Bernstein's ninth...

Author: /time Magazine | Title: The Theatre: Swords at Lunchtime | 5/30/1938 | See Source »

From the word Allez, 51-year-old Bourdet was fighting mad, lunged wildly at 61-year-old Bernstein's chest and abdomen. At first Bernstein took it easy, then gradually matched his opponent's aggressiveness, finally gave Bourdet a poke in the arm. This ended the fight. But not for Bourdet. Snapped he: "This is only a theatre duel." Begging in vain for another go, he finally strode fuming off the field, without shaking Bernstein's hand...

Author: /time Magazine | Title: The Theatre: Swords at Lunchtime | 5/30/1938 | See Source »

...William Somerset Maugham has made a handy translation from the Italian. Actress Anderson, giving an amusing if reminiscently Fontannesque performance with her hair bushed on top of her head, considerably brightens a bright comedy. Actors Ridges and Carroll clearly earn the applause they receive. Best Sellers (by Edouard Bourdet; Lee Shubert, producer) was adapted from the French by Dorothy Cheston Bennett and is concerned with the foibles of literary and publishing folk. Shrewd Mosca is arranging to have one of his authors win the coveted Zola prize when humble Fournier (small Ernest Truex). his forgotten Wartime companion, comes to call...

Author: /time Magazine | Title: Theatre: New Plays in Manhattan: May 15, 1933 | 5/15/1933 | See Source »

...Fable loses its exhilaration long before the conclusion of Act II when Antoine (Ronald Squire), the maitre d'hotel and god of Playwright Edouard Bourdet's machine, explains that he is going to walk home, not for the exercise but for a breath of fresh air. By that time the overlong tale of a canny matriarch has palled. Mme Leroy-Gomez (Helen Haye) raises her two elegant sons to prey on women, undergoes many a humorous travail keeping their shoulders to the wheel. One, married to a rich Argentine, almost loses his wife because of an infatuation...

Author: /time Magazine | Title: The Theatre: Other Plays in Manhattan | 11/2/1931 | See Source »

...confused with The Captive, Edouard Bourdet's play about a similar type of woman...

Author: /time Magazine | Title: Books: Telescope | 7/29/1929 | See Source »

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