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One contemporary critic described Courbet's work as "an engine of revolution." Courbet agreed. He thought of himself as a subversive force: the epitome of the avantgarde, a one-man realist movement. "I am Courbetist, that's all. My painting is the only true one. I am the...

Author: /time Magazine | Title: Art: Courbet: Painting as Politics | 12/5/1977 | See Source »

In his heroic materialism, Courbet was one of the ancestors of cubism. But his sense of reality extended beyond material, to social organization; hence the storm over A Burial at Ornans. In that black frieze punctuated by village faces, all held under the chalk bluffs of the distant landscape as...

Author: /time Magazine | Title: Art: Courbet: Painting as Politics | 12/5/1977 | See Source »

The protagonist of "Lover," for example, is a young doctor who becomes obsessed with a mad girl who was brought to his hospital one night battered and raped. The girl seems to symbolize for him the void that underlies his cozy bourgeois life. If it were not for one small...

Author: By Edward Josephson, | Title: Horror Stories | 11/28/1977 | See Source »

The revivalist ethnic group, while some may sincerely believe in it, is merely a disguise for the conservatism of the economically insecure and the politically opportunistic. It develops when groups, especially the petit bourgeois groups which have achieved a tenuous hold on the lower steps of the good life, feel...

Author: By Mark T. Whitaker, | Title: The Noble Drive Toward Individualism | 11/15/1977 | See Source »

He does offer, however, some sketchy ideas about the direction in which modern societies should move. The point he stresses most strongly in response to new ethnicity sociologists like Michael Novac, who see a retreat into ethnic culture as a valid response to the dehumanizing aspects of modern industrial society...

Author: By Mark T. Whitaker, | Title: The Noble Drive Toward Individualism | 11/15/1977 | See Source »

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