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Once again, music was the focus of ideological attack in China last week. This time, however, the object of scorn was not such decadent bourgeois composers as Beethoven and Schubert, but a Chinese opera with the ponderous title Three Ascents Up Peach Mountain. Performed in Peking in January, the new...

Author: /time Magazine | Title: CHINA: Revisionist Music | 3/18/1974 | See Source »

Correspondents resident in Peking can easily identify with the frogs in the old Chinese proverb that live at the bottom of a well: "They look and look and only see a patch of sky." The shifting political mood of China determines just how much sky will be visible. Now some...

Author: /time Magazine | Title: The Press: Perils of Peking | 3/4/1974 | See Source »

There was also generally in the surrealists a theatrical state of mind, which in the case of Paul Delvaux became virtually a stock in trade. Originally an expressionist, Delvaux was a latecomer to surrealism, converted by an exhibition of works by Chirico, Magritte and Dali that he saw in Brussels...

Author: /time Magazine | Title: Art: The Psychic Roots of the Surreal | 3/4/1974 | See Source »

Mastroianni. Marcello Mastroianni always seems the epitome of the bourgeois Italian, a man who has the time and the interest to cultivate the appearance of urbanity for its own sake. Even when, as in La Dolce Vita, he had an aloof, introspective, critical streak as an observer of society, he...

Author: By Richard Shepro, | Title: THE SCREEN | 2/28/1974 | See Source »

In many ways he is. And that late "bourgeois careerist, renegade and traitor" Lin Piao is far from being the only one to fall under his influence. As the mounting ideological attacks on the "four olds" (old thought, old culture, old customs and old habits) indicate, the traditional Confucian values...

Author: /time Magazine | Title: CHINA: Slandering the Sage | 2/25/1974 | See Source »

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