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Word: bourgeoises (lookup in dictionary) (lookup stats)
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For Rohmer deals in sensuality as an aesthete. His camera watches events from afar. He takes all the passion out of sex and leaves the tingles in. Emotions are distilled and cooled--the stakes are never high enough, the risks never dangerous enough to justify Frederic's final melodramatic reconciliation...

Author: By Emily Fisher, | Title: Love in the Afternoon | 1/29/1973 | See Source »

ERIC ROHMER'S WORLD is a precious one. In Chloe in the Afternoon even the streets of Paris have been cleansed of the ugly, the old, the poor. It is a bourgeois landscape, regular and unperturbed, all glass, gilded comfort and leisure.

Author: By Emily Fisher, | Title: Love in the Afternoon | 1/29/1973 | See Source »

The streets of Paris are a gold mine for Frederic's greedy eyes. But he has no pressing moral problems. Plain bourgeois doldrums weigh down his pillowed existence. He paces his office like a lover distracted over his erratic Chloe, and fails to see that his abstemious attention is a...

Author: By Emily Fisher, | Title: Love in the Afternoon | 1/29/1973 | See Source »

Cukor fabricates stock character types and conventional plot complications with playful expertise. Henry, the stodgy middle-class bourgeois, Augusta, the eccentric aunt, Visconti, her wildly romantic macho first love, and her present lover, Wordsworth, a fortune-telling black African, wind up on a mock spy adventure on the Orient Express...

Author: By Emily Fisher, | Title: An Old Man's Daydreams | 1/24/1973 | See Source »

Rich's recent letter of clarification only intensifies the contradictions implicit in her protest: "I accepted the Signet's invitation well aware that it was 'male dominated'...I left the dinner because a crudely sexist toast was given..." (my emphasis). She explains her exit, but obscures her entrance. The question...

Author: NO WRITER ATTRIBUTED | Title: RICH FOR THE RICH' | 1/15/1973 | See Source »

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