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READ Pauline Kael's I Lost It at the Movies and all the autobiographical sidetracks over psychic frustrations and coed heartbreak, though usually filled with raucous humorous, seem part of an introverted cultural temperament spent somewhere in the '50's, dated with Salinger and old Italian films. Read Wilfrid Sheed...

Author: By Michael Sragow, | Title: Simonizing | 5/18/1972 | See Source »

What makes Ibsen of primary importance for twentieth century literature--what Joyce called "his lofty, impersonal power"--is driven to its furthest conclusion in When We Dead Awaken. Subtitled "A Dramatic Epilogue" because it concludes a long series of socially critical dramas beginning with A Doll's House, the play...

Author: By Phil Patton, | Title: When We Dead Awaken | 4/21/1972 | See Source »

Like Exiles, the great play which his young reviewer would later create, Ibsen's last work is a story of homelessness. The aging sculptor Arnold Rubek has returned with his young wife Maja to a coastal resort in his "homeland." But Rubek's life and work have subsided into boredom...

Author: By Phil Patton, | Title: When We Dead Awaken | 4/21/1972 | See Source »

But if life is the enemy of art, then death must be its comrade. In the last acts Ibsen moves his characters to a health resort in the mountains--a look forward to Thomas Mann's Magic Mountain where on a peak high above the "real" world, Rubek and Irene...

Author: By Phil Patton, | Title: When We Dead Awaken | 4/21/1972 | See Source »

Substantive issues aside, there are broad methodological questions which arise in connection with the political and legal debates about investment policy. The arguments introduced are not tested against some eternal objective standard. Rather, political and legal positions do or do not prevail against the best argument that can be brought...

Author: By Steven E. Levy, Wesley E. Profit, and Charles F. Sabel, S | Title: Getting Off Without a Conviction: Harvard's Killings in the Market | 4/19/1972 | See Source »

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