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James Cuno: Museums are the product of an Enlightenment impulse to collect and categorize examples of knowledge, whether scientific or artistic. The initial modern museums appear in that age—like the British Museum in the mid-18th century, which was concerned with culture broadly stated, not just with...

Author: By Sarah R. Lehrer-graiwer, CONTRIBUTING WRITER | Title: Forging a Public Trust | 5/3/2002 | See Source »

In a society wracked by over-consumption, consumerism, self-image and physical obsession, works dealing primarily with issues of figuration and the body are especially relevant. They hold together as perhaps the most coherent and complete segment of the exhibit. Comprised of paintings by Richard Phillips and Jenny Saville, a...

Author: By Sarah R. Lehrer-graiwer and Natalia H.J. Naish, CONTRIBUTING WRITERSS | Title: Go Figure: Contemporary Art's Dilemma | 3/22/2002 | See Source »

This prospect changes everything. Many long-term western expatriates in Japan inhabit an Edenic state of bourgeois affluence with no strings attached. We enjoy a comfortable lifestyle, yet remain untroubled by civic duties. We can't vote, we may lack linguistic fluency, our opinions are presumed to derive from our...

Author: /time Magazine | Title: Japan's Dream Drain | 3/11/2002 | See Source »

Two other jewels of the exhibition, equally distinct and eloquent, were painted by Monet in 1872. “Still Life with Melon” and “The Tea Set,” which hang side by side in the Gund Gallery, show Monet’s experimentation...

Author: By Isabelle B. Bolton, CONTRIBUTING WRITER | Title: First Impressions | 3/8/2002 | See Source »

Although these best friends soon have to tote hods of excrement up and down twisting Phoenix Mountain trails and mine coal from primitive pits, theirs is not just another grim and baleful tale of forced labor. For these pals are merry pranksters at heart whose spirits never falter. At their...

Author: /time Magazine | Title: A Twist on Balzac | 3/4/2002 | See Source »

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