Word: bowe
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Dates: during 1950-1959
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...City Council yesterday asked the State Department of Public Works to consider approving a stop sign for the corner of Plympton and Bow Sts., the scene of frequent accidents...
...charged House Republican Leader Charles Halleck, determined to do or die for the Eisenhower Administration's request for an additional $225 million for the Development Loan Fund. The request had been killed by the powerful House Appropriations Committee, but Halleck visited with Ohio's Republican Representative Frank Bow, a bitter-end opponent of foreign aid, persuaded him to vote with the Administration. When Halleck took his case to Michigan Republican Alvin Bentley, who had rarely voted so much as a nickel for foreign aid, Bentley said: "You may be surprised by what I do." Halleck was indeed surprised...
...miles east of Atlantic City, most of Santa Rosa's 247 passengers lay asleep. In the bow, on lookout duty, Seaman Armando Gomez, 36, sighted the southbound tanker Valchem. "I heard her whistle a point and a half off the starboard bow," recalls Gomez, "and I reported it by telephone to the bridge. The second mate answered and said O.K. and blew our whistle." Ten minutes later, Gomez saw the tanker's lights ahead and off to the right, again reported to the bridge. Again the mate sounded the whistle. Then, says Gomez, "all of a sudden, within...
...Novels. The trouble with most of the famous gunskinners was that they started to believe their own publicity. The legend of the West was growing almost as fast as the reality. The dime novels, with a bow to James Fenimore Cooper, had begun to give a first, rough literary form to the western story. By 1890 the "flesh-times in Kansas" were a thing of the past. Wild Bill Hickok had been tamed by Writer-Promoter Ned Buntline, and was playing in Buffalo Bill Cody's Wild West show ("Fear not, fair maid, you are safe at last with...
...Lincoln in Levi's, and John Wayne, a smoke-wagon Siegfried, represented in different ways a more mature attempt on the part of the western hero to behave like a man. And in such pictures as John Ford's Stagecoach and William Wellman's The Ox-Bow Incident, the mythological struggle between Good and Evil was enacted on the personal plane; while in George Stevens' Shane and in Fred Zinnemann's High Noon, the western hero for the first time in movie history had to face what that struggle really means: the necessity of moral...