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Sappington's Slide is savvy show biz; maybe Jerome Robbins should take a bow too. In the finale, Pucci, who was an engaging clown with the Pilobolus troupe during the '80s, lightens things up with cheerful, back-lit aerobics. In a pas de deux that manages to be both steamy and droll, he may be offering an opinion on pointe work, particularly when he has the ballerina (Jodie Gates) aim her toe shoe into her prostrate partner's mouth...

Author: /time Magazine | Title: Dance: Ballet with a Savvy Street Beat | 11/1/1993 | See Source »

...national level, this summer's anti-violence crusader Sen. Paul Simon has gained a powerful ally in Attorney General Janet Reno. Reno, embattled by an unbroken string of well-publicized law enforcement failures, has recognized what the bow-tied Mr. Potatohead of Capitol Hill has shrewdly seen all along: TV violence, unlike real violence, is an inherently solvable, if completely delusory, "problem...

Author: By Benjamin J. Heller, | Title: Scaring Up A Simple Crisis | 10/30/1993 | See Source »

...construction is part of a plan to improve the Cambridge sewer system. The project, which is planned to last just more than a year, will cover several streets including Mt. Auburn, Holyoke, Bow, Quincy, Broadway, Kirkland and Oxford, according Harvard officials contacted earlier in the week...

Author: By Jonathan N. Axelrod, | Title: Students Inconvenienced by Repairs on Sewers | 10/30/1993 | See Source »

...construction is part of a project to make the Cambridge sewer system cleaner and cheaper, Culver said. The project will involve several streets including DeWolfe, Mount Auburn, Holyoke, Bow, Quincy, Broadway, Kirkland and Oxford...

Author: By Allyson V. Hobbs, | Title: Sewer Construction To Start on DeWolfe St. | 10/28/1993 | See Source »

...chaos and violence expertly rendered by Serrault are reiterated, throughout the film, by haunting music and startling images. Shots fire in a posh Paris arcade. A man plays a saw with a violin bow. Naked men chase women in Gestapo uniforms. Focusing relentlessly on objects of horror, the camera captures the greenish grey tone of the film and uncovers the ghoulishness of even the most serene images. After a Jew is beaten and taken from his home, the picture-perfect image of the house of the Jew and the house of his neighbor standing identical, side by side, underlines...

Author: By Caralee E. Caplan, | Title: Petrifying `Petiot' | 10/21/1993 | See Source »

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