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Shortly after Russia did get "the atom," by exploding its first bomb in 1949, the great philosopher began pleading with the West to lie down before world Communism. One day last week, Lord Russell, 89, walked into London's Bow Street Magistrates' Court accompanied by Lady Russell, 61, and three dozen fellow members of Britain's ban-the-bomb movement, which advocates unilateral Western dis armament. Together, they stood charged* of planning a giant sitdown demonstration in Parliament Square, of "inciting members of the public" to attend even after the Ministry of Works declined permission...

Author: /time Magazine | Title: Great Britain: Philosopher in Jail | 9/22/1961 | See Source »

...only trick-demonstrating the "stage fall" that his brother had taught him. At the end of the party, his audience gone, Peacock falls flat a few more times for the benefit of Queen Victoria-whose portrait stares disapprovingly at him from the wall. But when he attempts a bow, it occurs to him that this was a trick "Shel had never taught him. Indeed, at the first attempt the floor came up and hit him in the face...

Author: /time Magazine | Title: Books: Start of Surprise | 9/22/1961 | See Source »

Violinist Ruggiero Ricci appeared on the stage at Carnegie Hall for the first time dressed in a Little Lord Fauntleroy suit with flowing white bow tie and velvet kneepants. He was nine years old, and his hair flopped over his ears. With such classic equipment, he could scarcely have failed to make it as a prodigy-and he made it big. The more uninhibited critics, recalls Ricci. "called me the greatest violinist playing, which meant that I have had to fight Ricci ever since." Now 41, Ricci is still fighting Ricci. He seems to be doing nicely. During a lull...

Author: /time Magazine | Title: Music: Prodigy at 41 | 9/15/1961 | See Source »

...Last Year in Marienbad, easy to smile at, difficult to understand, the work of one of the most acclaimed directors in modern cinema, the New Wave's Alain Resnais. Like his masterpiece, Hiroshima, Mon Amour, the new film compresses and realigns conventional treatment of time, making a looping bow of past and future and knotting it down on the present. Leaving relationships vague, carefully avoiding the usual structure of cause and effect, it tries to force audiences to interpret the story for themselves. Last week Marienbad was named winner of the 1961 Venice Film Festival...

Author: /time Magazine | Title: Movies Abroad: The Top Drop | 9/15/1961 | See Source »

...WILLIAM TELL (New Glaurus, Wis.), an import from Europe, is a lavish adaptation of Schiller's play particularly popular with Wisconsin's Swiss-Americans. At the climax, the Swiss hero draws his bow with fervor, shoots the apple from his son's head (the boy nods on cue, the apple falls, he leans over and picks up another one hidden in the grass with a shill arrow in it). In the audience, half the town roars with pride-the other half is in the play...

Author: /time Magazine | Title: Spectacles: Ten-Gallon Straw Hat | 9/1/1961 | See Source »

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