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...decry its depiction of an imaginary Depression-era small town for its brutality, its director for presuming to understand our country without ever having set foot in it, and its callous end-credits, which set Walker Evans’ famous photographs of impoverished southerners to the strains of David Bowie??s “Young Americans”. One called the film’s message “Taliban thinking” to von Trier’s face, while another wrote that “for any American, seeing such nakedly hateful sentiments expressed...

Author: By Scoop A. Wasserstein, CRIMSON STAFF WRITER | Title: New in Film | 4/16/2004 | See Source »

Jason Patric also fully conveys James Bowie??s passionate and angry personality. Often drunk, Bowie fights against illness, and even though offered a chance to leave, he bravely fights to the death for Texas. The film, however, does not hide Bowie??s dealings with slaves, which again shows a more realistic account of Bowie??s life than previous accounts...

Author: NO WRITER ATTRIBUTED | Title: Film Reviews | 4/9/2004 | See Source »

...Cream’s version of “Born Under a Bad Sign,” and all the great variations on “Knock on Wood”: Eddie Floyd’s original languid version, Otis Redding’s energetic soulful version, David Bowie??s glam version, and Amii Stewart’s canonical disco rendition...

Author: By Daryl Sng, CRIMSON STAFF WRITER | Title: IN THE MIX | 4/13/2001 | See Source »

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