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...buzz of impossible moments is what rock stars live for, but it's impractical for a political advocate. Two weeks after the Super Bowl performance, Bono is in Los Angeles to accept a $100,000 donation from the Entertainment Industry Foundation for DATA. He calls a meeting on the porch of his suite at the Chateau Marmont with Michael Stipe, Quincy Jones, Bobby Shriver (the record-producing and fund-raising son of Sargent and Eunice Kennedy Shriver) and Jamie Drummond, DATA's director. It's a new-ideas meeting, and Bono hopes to tap some of the music industry...
...delusional, but it's not. Less than a month ago, at the annual meeting of the World Economic Forum, he sat on a dais with Bill Gates and discussed ways to save a continent; two days later he sang for a TV audience of 130 million at the Super Bowl half-time show. Not a bad week. Can you blame the guy for being a little full of himself...
...exactly five hours after his bravura Super Bowl show, Bono is exercising the rock star's fundamental right to be ridiculous. At a celebratory post-game dinner in the French Quarter with his band mates, the U2 management team and actress Ashley Judd (an old friend), he throws back some red wine, tells a few stories about Frank Sinatra, leaves a rambling cell-phone message for Judd's husband gently informing him that his wife has been kidnapped by a rock band, and then sneaks off to the bathroom for a cigarette. (Bono thinks the rest of U2 doesn...
...world job"?the album slowly sank on the Billboard Top 200 album chart, bottoming out at 108 in August 2001. But in the months after 9/11, as people looked for comfort, escape or both, the album picked up momentum, rising as high as 25 after the Super Bowl, in its 67th week of release. The album is not prescient, just elastic. On Walk On, the album's best track, Bono sings, "I know it aches/ And your heart it breaks/ And you can only take so much/ Walk on." And on Peace on Earth, he mourns, "Sick of sorrow...
...incorporated the names into their half-time set at the Super Bowl (projecting them during the songs MLK and Where the Streets Have No Name). It was not a political statement, just an emotional one. By design, it said nothing in particular and yet somehow conveyed something profound. It was exactly the kind of soaring, impossible moment Bono believes U2 exists to achieve. Wandering around New Orleans after the game, Bono relived each of the set's 11 minutes in something close to real time. "I hope it played well on television, because it felt?ah!?it felt just amazing...