Word: bows
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Dates: during 1960-1969
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...present state of the Council, bow, ever, remains in doubt. Three of the four officers no longer hold their posts. Former President Howard J. Phillips '62 is on Kwang S. Yum '62 has left school for financial reasons; and secretary Thomas E. Petri '62 resigned last year with the rest of the delegation from Quincy House...
Shortly after Russia did get "the atom," by exploding its first bomb in 1949, the great philosopher began pleading with the West to lie down before world Communism. One day last week, Lord Russell, 89, walked into London's Bow Street Magistrates' Court accompanied by Lady Russell, 61, and three dozen fellow members of Britain's ban-the-bomb movement, which advocates unilateral Western dis armament. Together, they stood charged* of planning a giant sitdown demonstration in Parliament Square, of "inciting members of the public" to attend even after the Ministry of Works declined permission...
...only trick-demonstrating the "stage fall" that his brother had taught him. At the end of the party, his audience gone, Peacock falls flat a few more times for the benefit of Queen Victoria-whose portrait stares disapprovingly at him from the wall. But when he attempts a bow, it occurs to him that this was a trick "Shel had never taught him. Indeed, at the first attempt the floor came up and hit him in the face...
Violinist Ruggiero Ricci appeared on the stage at Carnegie Hall for the first time dressed in a Little Lord Fauntleroy suit with flowing white bow tie and velvet kneepants. He was nine years old, and his hair flopped over his ears. With such classic equipment, he could scarcely have failed to make it as a prodigy-and he made it big. The more uninhibited critics, recalls Ricci. "called me the greatest violinist playing, which meant that I have had to fight Ricci ever since." Now 41, Ricci is still fighting Ricci. He seems to be doing nicely. During a lull...
...Last Year in Marienbad, easy to smile at, difficult to understand, the work of one of the most acclaimed directors in modern cinema, the New Wave's Alain Resnais. Like his masterpiece, Hiroshima, Mon Amour, the new film compresses and realigns conventional treatment of time, making a looping bow of past and future and knotting it down on the present. Leaving relationships vague, carefully avoiding the usual structure of cause and effect, it tries to force audiences to interpret the story for themselves. Last week Marienbad was named winner of the 1961 Venice Film Festival...