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...box office told the tale of Shyamalan's success: The Sixth Sense grossed $294 million in North America; then, after a decent but detumescent $95 million for Unbreakable, he rebounded with $228 million for Signs (Gibson's star power helped) and $114 million for The Village - figures ranging from honorable to sensational, considering that he put his handsome movies together for about half what they'd have cost anyone else, anywhere else. Shyamalan makes all his films where he grew up, in the suburbs of Philadelphia. (He's the most prominent member of the Philadelphia school of filmmaking. In fact...
...have this ill wind, this feeble gust of an environmental horror story. The writer-director's disintegration from robust artistic health to narrative incoherence, from hitmaker to box-office loser, has an almost tragic trajectory. It's a saga worthy of being told by the young M. Night Shyamalan. Perhaps, with his next film, he'll have a surprise twist of cinematic brilliance that will explain and atone for the creepy stuff that's been happening...
...because some guests, particularly those with declining vision, have grown accustomed to using reading glasses in dim light for menus with fine print. In Baltimore, an eye-care firm launched a program called MenuMates providing upscale area restaurants four pairs of reading glasses in a wooden recipe box...
...Away from the Shore, Leith is perhaps best known for the Sir Terence Conran-designed Ocean Terminal, www.oceanterminal.com. This sprawling three-story shopping mall features all the usual big-box stores but also a handful of cafés, bars and restaurants with floor-to-ceiling views onto the decommissioned Royal Yacht Britannia, www.royalyachtbritannia.co.uk. Moored outside, the spotless vessel, with its gleaming engine room (but surprisingly modest royal apartments) is now a museum, harking back to an earlier age of travel and empire. But Leith doesn't worry too much about the past these days. It's pulling away from...
When writer-director Andrew Stanton--whose last film was Pixar's all-time box-office champ, Finding Nemo--showed the first reels of WALL?E to the studio's brain trust three years ago, fellow auteur Brad Bird (The Incredibles) told him, "Man, you didn't make it easy for yourself." A movie that shows but doesn't tell, and whose leading characters are essentially mimes, could put an end to the eight-film box-office winning streak that began with Toy Story in 1995 and continued unbroken through last year's Ratatouille. To sell the project, Stanton had only...