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...more recent nightmare snapshot, from last Dec. 27, of Benazir Bhutto felled by bullets and bombs. Oh, it's nothing personal, current office holders. Not even political. It's just business - the movie business. If there's anything a mogul loves, on the screen and in the box office cash register, it's dead Presidents...

Author: /time Magazine | Title: Vantage Point: Assassination Fun | 2/23/2008 | See Source »

...that on-point, if not as (respectively) terrifying or revolutionary. Even with the lovely Sting-supplied acoustics of “Street Law” and “For My Soldiers,” the best cut on the album is “My Box Chevy.” A rare triumph of synth over sample, “My Box Chevy” is a low-key anthem to a Caprice bought “from an old white couple.” It transcends the low-budget production and the superficially played-out lyrics to become...

Author: By J. samuel Abbott, CRIMSON STAFF WRITER | Title: Pastor Troy | 2/22/2008 | See Source »

...involve classified information—and she’s still not entirely sure what the consequences of her research really were. “We had two computers under the desk and just one screen,” McCulla says. “There was a little box with a switch on it and hundreds of times a day, we’d push the switch and it’d flip from one computer to the other. We’d have two separate email accounts and two separate Word documents. There was a pretty clear delineation between...

Author: By Rebecca A. Cooper, CONTRIBUTING WRITER | Title: Smart Food: The CIA Comes to Harvard | 2/22/2008 | See Source »

...James Earl Jones and Phylicia Rashad, the production has already sold out its six-week engagement. But as far as what the production may mean for minority actors, Lester says, “To cast James Earl Jones and Phylicia Rashad is not political, it’s big box office.”“It’s really interesting that they are doing the show with an all-black cast, since race isn’t one of the forefront issues,” Johnson, a co-director of the Harvard production...

Author: By Jillian J. Goodman, CRIMSON STAFF WRITER | Title: Staging the Race Debate | 2/22/2008 | See Source »

...acoustic guitar, the production values of older albums were quite different. Most of Darnielle’s back catalog finds him alone, strumming his guitar furiously, his voice passionate and raw. The tracks were frequently accompanied by an overwhelming low-fidelity hiss, courtesy of the cheap Panasonic boom box with which Darnielle recorded for years. This is not to say that the aesthetic change is an abrupt one; Darnielle’s conversion from lo-fi god to studio craftsman began with 2002’s “Tallahassee,” which dispatched with the distinctive fuzz...

Author: By David S. Wallace, CRIMSON STAFF WRITER | Title: The Mountain Goats | 2/22/2008 | See Source »

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