Word: boxcars
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Woody meets all sorts of people on his travels--rich epicureans who proudly describe the delicious meals they've eaten in various parts of the country (Woody, who hasn't eaten in a couple of days, observes sardonically that "The more ya eat, the more ya shit"), truck drivers, boxcar bums and rod riders, and, of course, fellow Dust Bowl refugees. Both Woody and the viewer are seeing the hidden, dark side of the American dream--the poverty and misery of the unemployed masses contrasts starkly with the affluence of the epicureans and of the priest who refuses him charity...
...this recent generation, only Garry Trudeau manages to combine editorial-page gravity and funny-paper levity. Unlike his colleagues who customarily work in one panel, Trudeau employs the sequential boxcar format of the comics. As any pop-culture devotee knows, Doonesbury is not the first strip to make funnies a political forum. A generation ago, Al Capp's Li'l Abner was peopled with Senators, robber barons and other oversized targets. Walt Kelly's Pogo once made Lyndon Johnson a longhorn steer and Spiro Agnew a hyena. Charles Schulz's Peanuts has long twitted such current...
Hard Times is the best script Bronson has enjoyed since he became box office. His character is called Chaney, a drifter and street fighter of mysterious origins and flexible future. He rides into New Orleans on a boxcar and soon afterward picks up a fight and a manager. Speed (played with appropriate flash by James Coburn) is a small-time gambler who spots a sure shot at the big dollar. With a hophead physician (Strother Martin) as medical consultant, Chaney and Speed scuffle around trying to pick a few more fights...
...beginning of the film. You aren't quite sure you've seen it, this tiny dilation, but in the first few moments, when a train whistle moans rudely from behind a curve of track in southern flatland and moves into view, a shabby Bronson leaning from the boxcar wearing a cap scrunched down...these few moments of Bronson, and the rustle in his expression when the train rolls by two wastrel children, the change in his eyes not greeting, or even acknowledgement, but only a quick passing of body heat...are some of the most beautiful moments of footage...
...most important new information in Coup d'Etat comes from the analysis of the "tramp photographs" Dick Gregory made famous. The Book Depository from which Kennedy was shot adjoins a railroad yard where three tramps were apprehended in an apparently locked boxcar just after the assassination. Photographs of these tramps, who were arrested, and then released on FBI orders, show that one of the tramps looks very much like Hunt, another like fellow Watergater Frank Sturgis, and the third like Oswald. Canfield and Weberman show convincingly through height and feature comparison that two of the tramps really are Hunt...