Word: boxes
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Dates: during 1980-1989
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...been more successful more swiftly than Reagan's former deputy chief of staff Michael Deaver, who may multiply his White House income sixfold in his first year out of government by offering the nebulous blend of access, influence and advice that has become so valued in Washington (see box). Other Reaganauts now prowling Gucci Gulch include ex-Congressional Liaison Kenneth Duberstein and two former White House political directors, Lyn Nofziger and Ed Rollins. "I spent a lot of years doing things for love. Now I'm going to do things for money," Rollins told the Washington Post after he left...
...through the bureaucratic and congressional maze and polish their sometimes unsavory images in the U.S. The Marcos government in the Philippines has retained the well-connected lobbying firm of Black, Manafort & Stone for a reported fee of $900,000. Another Black, Manafort client is Angolan Rebel Jonas Savimbi (see box). Not to be outdone, the Marxist regime of Angola hired Bob Gray's firm to front for it in Washington. Two years ago, Gray told TIME that he checks with his "good friend," CIA Director William Casey, before taking on clients who might be inimical to U.S. interests...
...Night Live had become the brightest, brashest success on television, the show to see, and be seen at. Chevy Chase had already made his mark there, and left for Hollywood. John Belushi had brought his brute comic force to Animal House, which pulled down some $150 million at the box office, and he and his buddy Dan Aykroyd were spending off-time starring in Steven Spielberg's home-front destruction derby 1941. Gilda Radner was the country's favorite comedy Kewpie, and Bill Murray, a shambling declension of goofiness, was hoving into view...
Mies, meanwhile, was taking the logic of the empty architectural box to its unnatural extreme in the U.S. His campus for the Illinois Institute of Technology is a grove of steel ectoskeletons, essentially giant one-room buildings. The Farnsworth House (1951), a planar H-beam box floating over a floodplain outside Chicago, was Mies' last modest building, and the most affectingly American one. (Alas, his project for an Indiana fast-food stand never got built.) Farnsworth looks like a house, just barely. After it came almost nothing but true Miesian "universal space": high-rises, modeled on his twin apartment slabs...
...Home Box Office...