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...much a new medium, TV had conquered the country in the first few years of the decade: it constituted a tremendous improvement on radio, and watching “I Love Lucy” cost no ticket price—this correlated, not surprisingly, with a sharp drop in box office revenue. Hollywood responded with the jealous petulance you’d expect from any first-born child. Many studios forbade their contracted stars from appearing on television, and the networks—devoid of their own celebrities—were considered little more than a dumping ground...

Author: By Molly O. Fitzpatrick, CRIMSON STAFF WRITER | Title: Widescreen to Flatscreen: Televising the Oscars | 3/2/2010 | See Source »

...complete casting failure or an intended joke that simply isn’t funny. His character is given a part that includes some serious emotions, but Morgan is incapable of playing a character with personality traits beyond stupidity and mockingly idiotic sorrow. He is trapped in an idiot box of slapstick comedy that prevents him from playing an actually funny role outside his hilarious “30 Rock” alter-ego, and thus should stick...

Author: By Alex C. Nunnelly, CRIMSON STAFF WRITER | Title: Cop Out | 3/2/2010 | See Source »

...this time in the game, Harvard’s superior conditioning was evident. With the Crimson controlling possession, the Tigers went looking for the puck and seemed to find the penalty box instead, committing three second-period penalties...

Author: By Christina C. Mcclintock, CRIMSON STAFF WRITER | Title: Crimson Dominates Again in Physical Contest, Advances in Conference Tourney | 3/1/2010 | See Source »

Among films in limited release, Roman Polanski's favorably reviewed thriller The Ghost Writer took in $870,000 on just 43 screens. But the big race, not so much at the box office as in this week's Oscar pools, was between two nominees for the foreign-language Academy Award, both of them released by Sony Pictures Classics. A Prophet, Jacques Audiard's French prison drama, opened to a decent $170,000 in nine theaters in New York and Los Angeles, while Michael Haneke's The White Ribbon made $168,000 in its ninth week of limited release. That movie...

Author: /time Magazine | Title: Box Office: Shutter Island Tops the Cops and the Crazies | 2/28/2010 | See Source »

Here are the weekend's top-grossing pictures in North American theaters, as reported by Box Office Mojo...

Author: /time Magazine | Title: Box Office: Shutter Island Tops the Cops and the Crazies | 2/28/2010 | See Source »

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