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...rest of the cast is uneven. John Cazale does well as a funereally unctuous Goebbels, while Jaime Sanchez simply rants as Goring. The most dis concerting performance is that of Sully Boyar, who plays Hindenburg as a gemütlicher grandpapa with a Jewish inflection. The ultimate failure rests with Pacino, who leaves a final impression of Hitler as a poor immigrant boy who made it very very...

Author: /time Magazine | Title: The Theater: Heil Heel | 5/26/1975 | See Source »

Like Sergei Eisenstein's film classic-the score is based largely on Prokofiev's music for that movie-the ballet is an episodic, ponderously romanticized narrative about Czar Ivan IV. A madman and a tyrant, Ivan fought the feudal boyar nobles as well as invading enemies and managed to unite Russia during the 16th century. There are scenes evoking his struggle with the nobles, lyrical moments of happiness with his first wife, Anastasia, plotting by the boyars and the duplicitous Prince Kurbsky, who tries to destroy Ivan by poisoning his queen. After her death, the Czar...

Author: /time Magazine | Title: Music: Ivan Is Terrible | 5/12/1975 | See Source »

Chanel modified the shape of her suits with a bolero or cutoff blazer jacket, cropped and V-necked. Nina Ricci's Gerard Pipart kept his daytime clothes straight and simple, took a giant steppe to Russia with evening wear that featured fur Cossack hats, officers' coats, boyar pants (Russian-style knickers) and gypsy dresses. Louis Feraud concentrated less on shape than on fabrics. Guy Laroche seconded Pipart's Russian notions, and then some: to a background of music, slides, and Tartar dancing, his models turned out in tunics and knickers, babushkas and cummerbunds, capes rimmed with...

Author: /time Magazine | Title: Modern Living: Punch, Oui; Power, Non | 8/3/1970 | See Source »

Buffoons, set to a theme from Rimsky Korsakov's The Snow Maiden, is a robust, circus-like satire on Old Russia, with a drunken boyar, a devil wielding a pitchfork and a troupe of gymnastic, gnomic clowns. The other two novelties are internationally flavored departures from Moiseyev's customary exploration of the Russian heritage. Sicilian Tarantella is a festive evocation of Italy's traditional folk dance, while Gaucho is a foot-stomping challenge match for three male soloists, dressed like Argentine cowboys on parade. The Latin rhythms have the right ring, but Moiseyev's cowboys look...

Author: /time Magazine | Title: Music: Exalted Kitsch | 7/27/1970 | See Source »

...Davis and Boyar...

Author: /time Magazine | Title: Television, Theater, Records, Cinema, Books: Apr. 8, 1966 | 4/8/1966 | See Source »

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