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They Walk Alone (by Max Catto, produced by Ben A. Boyar) is the latest of the many dramas of British rural horror. The servant girl on an English gentleman's farm has dark compulsions to play the chapel organ in the middle of the night. The music stirs her libido and she thereupon lures young men out on the moors. There, after presumable orgies, her conscience apparently asserts itself. She murders her partners and, it would seem, commits on them certain unmentionable excess damages-the play isn't very clear about...

Author: /time Magazine | Title: The Theatre: New Play in Manhattan, Mar. 24, 1941 | 3/24/1941 | See Source »

...thing that moonfaced Nikita Balieff and Morris Gest first brought to the U. S. in 1922 as the Chauve-Souris and does not suffer greatly by this comparison. Mr. Yushny is much the same sort of master of ceremonies as Balieff. Witness the introduction he gives to a Boyar dance number, concluding with the sly information that he did the scenery for that act himself. When the curtain parts a plain velvet drop is revealed...

Author: /time Magazine | Title: Theatre: New Show in Manhattan | 5/2/1932 | See Source »

...martial strains of Borls Godunoff. If ever there was a story fit to be set to music it is the story of this early Czar of Russia, and eminently fitting is the music which Moussorgsky was inspired to write. In it he has embodied the fierce old Muscovite Boyar himself; in it is the spirit of the half Oriental Princes who fought to drive the Tartan hordes from the gates; in it and through it is the note of something primitive, something untamed like the bleakness of the steppes and the snowfields. From the opening curtain to the great climatic...

Author: NO WRITER ATTRIBUTED | Title: THE STUDENT VAGABOND | 2/7/1927 | See Source »

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