Word: boye
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Dates: during 1940-1949
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...when he was twelve. To celebrate, he had hauled his father's old .38 revolver out to the street and fired it off. He was picked up and taken to juvenile court where, he remembers, the magistrate told him that while he wasn't a bad boy he might get to be one if he kept playing around Perdido Street at night. Louis was packed off to ihe Colored Waif's Home for Boys, a New Orleans reform school...
...planted his sons along the broad winning highway, locked himself-and then lost himself-inside the American dream. Whenever the truth has not been fancy enough, he has lied to other people; whenever it has hurt, he has lied to himself. Nor have his sons fared better-neither the boy who loved his father till he found him with a woman, nor the one who has never loved anything but a good time. His nerve going, his job gone, his boys slashing their way out of his dream, the truth clawing down one after another of his defenses, Willy Loman...
Improve the Service. For Budd, such up & coming railroading was a matter of habit. An Iowa farm boy trained as a civil engineer, he began railroading at 20 on the Chicago Great Western. After a spell of work on the Panama Canal, he became an assistant to Empire Builder Jim Hill on the Great Northern. In 1919, a few years after Hill's death, Budd, at 40, stepped into Hill...
...inconsequential gag and No. 2 (The Alien Corn) a piece of out & out bathos. But script No. 3 is a solid bite of meatiest Maugham. The Kite is the story of Herbert Sunbury (George Cole), a simple-minded city lad with a possessive mom (Hermione Baddeley) and a small boy's passion for flying kites on the local commons. But Herbert's young bride wants him with no kite strings-nor silver cords-attached. When he refuses to cut loose, she kicks him out and plays him a dirty trick. "She smashed me koyte!" mourns Herbert. Back...
Killed by Duty. People interested in Graham Greene's view of such enormities will find six pieces in the book worth careful reading. One is an early story of childhood called The End of the Party, concerned with a small boy's helpless integrity in face of an overpowering terror. Another, The Basement Room (recently made into a movie called The Fallen Idol), suggests the disastrous effect on a small boy of being made a responsible agent in an adult affair. A third, Brother, examines the troubles of a man who acts according to his principles, does...