Word: boye
(lookup in dictionary)
(lookup stats)
Dates: during 1950-1959
Sort By: most recent first
(reverse)
...morning in the universe," says Narrator Kerouac at the outset, by way of scene setting. On the screen, a beautiful but weary woman opens the shutters of her pad. (She is played by Delphine Youngerman, who calls herself Beltiane.) Outside is Manhattan's Bowery; inside are her little boy and, hung on a chair, her absent husband's "tortured socks...
...home movies, the characters on the screen mouth lost words. On the sound track Kerouac talks on, speaking for them. Visitors knock. "Button your fly and go answer the door," says Kerouac for the mother. The little boy opens the door. Enter Poets Ginsberg and Corso. They drink beer and wine, smoke marijuana, look out the window, where "90-year-old men are being run over by gasoline trucks." The audience now knows that Pull My Daisy is not just another she-bugs-me, she-bugs-me-not story...
...dialogue awakened cafe scents of strong smoke, dry cognac and refracted thought ("Suppose you die and find out that the dead are only the living playing at being dead")And the story of an intellectual mamma's boy Communist up against a tough, cynical but gallant revolutionary was shot through with Marxist analysis. With such qualities Jean-Paul Sartre's Crime of Passion seemed an unlikely play for TV. But viewers in the New York area saw it last week, in a full-length and absorbing production, well acted by a cast that included Claude Dauphin and Betsy...
...Blows (Zenith International). A small boy stands at the bottom of a giant tin can, the centrifuge in an amusement park. As the can begins to spin, the centrifugal force moves him to the outer walls. Faster and faster it goes. Soon the boy can move neither backward nor forward; he is the prisoner of the machine. Searching for freedom, he scrambles along the walls upside down. The machine, he discovers, has repealed the natural law that keeps his feet on the ground. It has robbed him of all relationship to the true center of things...
...also wrote the script with Marcel Moussy, tells a story that derives from his own childhood experiences in a reform school. His hero is a French schoolboy (Jean-Pierre Léaud), about twelve years old, who lives with his mother and father in a Paris tenement. Actually, the boy's father is just a man his mother married when she found herself pregnant-a nice, easygoing nobody who brings home a steady salary and doesn't ask too many questions. The mother herself is no better than she should be: a pretty, shallow blonde who consults only...