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Word: boye (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...South Side of Chicago and some of the original stuff played by the men who made the Blues revival possible. The list of unsung heroes of the Blues is endless; but I have chosen to emphasize 3 of my favorites--keyboard man Otis Spann, Harp man Sonny Boy Williamson, and slide guitar man Elmore Jones...

Author: By James C. Gutman, | Title: B.B. King Is King of the Blues--Black Music That Whites Now Dig | 2/27/1969 | See Source »

...rude and visceral and is delivered with relentless power. Yet in its own way it reflects the hard, fast, brutal realities of the modern urban ghetto which produced it. This music reached its peak in the late fifties and early sixties when Bluesmen like Elmore James, Sonny Boy Wiliamson, The Muddy Waters Band, B. B. King and others sold thousands of records in the black ghettos of the North and dusty darktowns of the South. Depits its success in black communiites, it was considered too raw, earthy and sexual for the white teenage audience and was black-balled...

Author: By James C. Gutman, | Title: B.B. King Is King of the Blues--Black Music That Whites Now Dig | 2/27/1969 | See Source »

...Sonny Boy Williamson died in 1965 and can only be heard on record. Many Blues musicians believe Williamson was the greatest harpman in the Blues. He wrote and recorded what may be the most moving Blues song of all time," Help Me." This song has been recorded by many of the popular groups of the Blues revival but it's Williamson's song and it expresses the quintessence of the Blues. Sonny Boy sings...

Author: By James C. Gutman, | Title: B.B. King Is King of the Blues--Black Music That Whites Now Dig | 2/27/1969 | See Source »

...years Radcliffe has been a spinster--now she has finally gotten up enough nerve to ask the boy next door to tie the knot...

Author: NO WRITER ATTRIBUTED | Title: A Brief History Of Radcliffe | 2/23/1969 | See Source »

Orson Welles said it best. Confronted by Hollywood's movie-making paraphernalia, he chortled: "This is the biggest electric train any boy ever had to play with." Broadway Choreographer-Director Bob Fosse obviously felt the same exhilaration. But all he could do with that expensive equipment was play around. The result is a chuffing, tooting, O-gauge musical, Sweet Charity...

Author: /time Magazine | Title: Cinema: Faces of Mt. MacLaine | 2/21/1969 | See Source »

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