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...grand despair in wartime. In one's stereophonic memory chambers, violins throbbed counterpoint to far-off guns and the crumpled-velvet whispers of thwarted lovers. It is as if Remarque's art were defined by one of those overstylized love scenes in Arch of Triumph between Charles Boyer and Ingrid Bergman-two old pros struggling to come through with tears and accents after all those years in Hollywood...

Author: /time Magazine | Title: Books: Between Holocaust And Hollywood | 2/7/1972 | See Source »

...County Art Museum and is involved in a dead-end affair with a married man. She spends a lot of time at the movies too, doting on the soft-focus images of her dreams. "Florence," she tipsily confides to a friend late one night, "I never had a Charles Boyer in my life." Instead, she gets Seymour Moskowitz, who pursues her with the fierce dedication of a sans-culotte storming the Bastille. His final victory makes for one of the rarest screen events: a believable and totally appropriate happy ending...

Author: /time Magazine | Title: Cinema: An Anodyne to Loneliness | 12/27/1971 | See Source »

CHARLES F. BOYER Boston...

Author: /time Magazine | Title: Letters, Jul. 12, 1971 | 7/12/1971 | See Source »

Just as the word casbah brings to mind Charles Boyer's sexily sinister invitation to accompany him there, the name Casablanca evokes the gravelly command of Humphrey Bogart: "Play it again, Sam." So it seemed like a good idea to Pan American Airways to advertise its flight to Casablanca with a movie still of the late Bogey and those immortal words. To his widow Lauren Bacall, though, it seemed like a lousy idea. "Is there no limit to what people will do to make a buck?" she snarled. "It's the worst sort of invasion of privacy. Bogart...

Author: /time Magazine | Title: People, Mar. 15, 1971 | 3/15/1971 | See Source »

...Paris suburb, writes daily letters to herself, lives in a mansion and worries equally about her 9-ft. feather boa and the loss, many years past, of her only lover. She would seem to be easy prey for a cartel of international shysters (Yul Brynner, Paul Henreid,* Charles Boyer, Donald Pleasence and Oscar Homolka among them) who have discovered oil under the old lady's property. But she will not be moved, and she wins the aid of some colorful companions-a ragpicker (Danny Kaye), a waitress (Nanette Newman) and a young student activist (Richard Chamberlain...

Author: /time Magazine | Title: New Movies: The Doily and the Dumpling | 10/31/1969 | See Source »

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