Word: boyfriend
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Dates: during 1970-1979
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...Bruce Jay Friedman. Even more comical to remember that some girl in the dorm, a transfer student with more than the ordinary romantic-absurdist delusions about Harvard men, had seen the naked stranger wandering around the dorm all evening, but figured that he was only someone's boyfriend having himself a good time...
...FLEETING, final confrontation. It is the end of a heavy autumn day, probably Thursday. Sybil is walking back from the Coop, carrying all the books for two new courses, a lamp-shade and a box of ginger snaps. Coming towards her, she recognizes Stanley, an old boyfriend whom she has not seen since the summer. She looks up at him, and he stares at her, stares right through her as if they have never met. They have known each other for years, have exchanged birthday presents, have probably slept together. He looks right through her and doesn't speak...
june, 1966 dear Mr. Zimmerman, among many other things I want to thank you for bringing me and my present boyfriend together, we both first thought it was "stuck inside a mobile" on Blonde on Blonde, that was how we knew we were meant for each other, then we rushed out and bought the album, now we share it but if we ever break up I get the half with Just Like A Woman...
...going to read like a long set of liner notes interspersed with weird letters, that's the kind of detail they give you on FM radio I used to listen to AM stations and liked Chad and Jeremy before I fell in love with you and my present boyfriend, the zombie also said the book was going to be called Tarantula, is that because it bites you once and is into your bloodstream for good? that's exactly how I feel about you and your songs. . . the only two things I don't like about you are one I hear...
...sunny, but the rate of human substance per cogitative dialogue is quite low. Our curiosity never turns to compassion. One critic has acclaimed the film as a comedy of manners in the French classical tradition. Indeed, the diplomat and the novelist do jostle the bourgeoisie and Claire's surly boyfriend somewhat, and Rohmer's society is a given to which the characters must reform. But the people portrayed really don't care about anything except their own surface veneer; if this is classicism, it says more about the elitism of today's educated audiences than about the film...