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Jessica's troubles began 40 hours after she was born in a hospital in Cedar Rapids, Iowa. It was then that her mother Cara, 28 and unwed at the time, waived her parental rights and put the infant up for adoption. Cara identified the father as her boyfriend at the time, Scott, who also consented to the adoption. Elated, the DeBoers, who had arranged weeks earlier to adopt the child, drove all the way from Ann Arbor to claim their new baby. Soon after returning home, they received a letter from Cara that read, "I know you will treasure...

Author: /time Magazine | Title: The Ties That Traumatize | 4/12/1993 | See Source »

...play itself follows the tumultuous love-life of a hip New York choreographer, Anna. Her gay flatmate has died, leaving her to cope with grief and his rowdy, loudmouth older brother, Pale, Grief proves the easier to deal with. She loses her preppy boyfriend, he sense of identity, her other roommate's respect and her psychological well-being--all for a drunken, ignorant New Jersey (horror!) restauranteur. Love sure is funny...

Author: By Edward P. Mcbride, | Title: Burn This Sets Winthrop Aflame | 3/25/1993 | See Source »

Michael Stone's rendition of Burton, Anna's smug script-writing boyfriend, is the least subtle acting in the play. He exaggerates the self-satisfied twit in Burton to such an extent that he fails to convince the audience when his character slips into melancholy self-analysis...

Author: By Edward P. Mcbride, | Title: Burn This Sets Winthrop Aflame | 3/25/1993 | See Source »

...second mistake was to have Peters, so good at winsome vulnerability, play a character so hard and snarly. From the opening number, in which she rages at being abandoned by a live-in boyfriend, to the contrived quarrel with her new paramour a few moments before the finale, her angst always outshouts her charm. A third goof was to have Short start out really neurotic, as Richard Dreyfuss was in his Oscar-winning film portrayal, but turn into Caspar Milquetoast (or Ed Grimley) within minutes. The domestic frictions that made the film funny simply disappear...

Author: /time Magazine | Title: A Mishmash Of a Musical | 3/15/1993 | See Source »

Deanie Gauthier, who calls herself the Mutant, is in far worse shape. She's a foul-mouthed outcast a couple of years younger than Sam; her response to sexual abuse by her mother's boyfriend is self-abasement in several directions. She shaves her head and wears a nose ring and chains, shrugs at kindness and buys drugs with sex. But she plays ball with amazing ferocity, and she and Sam lead their respective teams to the Maine championships, falling into a sad, touching losers' love affair along...

Author: /time Magazine | Title: Home Games | 2/22/1993 | See Source »

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