Word: boyhoods
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Reischauer's boyhood in Tokyo was neither queer nor quaint. His parents, both educational missionaries still respected throughout Japan, did their best "to make up for the distance from home by being as American as possible." When the 16-year-old Reischauer came to the United States and Oberlin College in 1927, he was therefore prepared for baseball, basketball, and varsity tennis. Whenever his Japanese background did get in the way, he tried to conceal it. "When I hitched rides. I used to make up a lot of false home towns so I wouldn't have to go through...
Goodie's boyhood was spent in substantial middle-class ease. His father indulged Goodie and his older sister Dolly, but Lil Knight, an ambitious, talented woman (she was variously a concert singer and a suffragette), preached total abstinence to her children and made free with the peachtree switch she kept in the kitchen...
...explaining: "We called her 'La saucisse' [ the sausage]." Then, spotting a rare 1904 engraving, Le Repas Frugal, he said: "I didn't know they had this. It's worth a fortune." But what held Picasso's attention longest was a plaster Madonna from his boyhood home. Exclaimed Picasso: "We had this statue in Malaga. Actually, it's a statue of Venus which father bought in the flea market. He painted on the tears, draped the figure in plaster-soaked cloth. Now my niece has made a crown of flowers. Good! Good! She continues...
...cheeks," who can convulse his playmates by mimicking the rabbi's manner of taking snuff, or bring a glint of pride to his bearded father's eyes by citing chapter and verse in a Bible exam. Since he is more prankster than scholar, Sholom's boyhood sometimes seems like a parade of cuffs, slaps and beatings. As one observer has pointed out, "the Jews of Eastern Europe considered childhood a phase to be got over as quickly as possible, a sort of malignant disease, the curing of which justified the use of any means." But before...
...Goody ear-Philco Playhouse scored a near miss with a literate, well-cast play called Shadow of the Champ. On a transatlantic voyage, Broadway's Lee Grant, the disenchanted sister of a sportswriter, is thrown together with Eli Wallach, the boyhood chum and adult hanger-on of the heavyweight champion of the world (Jack Warden), and slowly draws him away from his lifelong shadow-like attachment to the champ. Scene after scene was nicely drawn, particularly those sketching the almost Oriental retinue that trails after a champion boxer, but the play as a whole failed to carry conviction...