Word: boyish
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...Werner. He did not deliberately tempt it; for him it just never existed. Some might call that ignorant or childish or foolhardy, but within the special company of downhill racers, Bud Werner won only admiration and respect. Austrians called him "the cowboy from Colorado"; autographed photos of his boyish face decorated the walls of stores and inns in ski towns like Kitzbühel and Bad Gastein...
...closing my 52 years of military service. When I joined the Army, even before the turn of the century, it was the fulfillment of all my boyish hopes and dreams. The world has turned over many times since I took the oath on the plain at West Point, and the hopes and dreams have long since vanished, but I still remember the refrain of one of the most popular barracks ballads of that day, which proclaimed most proudly that old soldiers never die-they just fade away. And like the old soldier of that ballad, I now close my military...
Finney's performance as a charming, arrogant, boyish, vain and remorseless killer almost justifies redoing the film. But Producer-Director Karel Reisz errs in trying to update the melodrama with an overdose of back-to-the-womb psychology. The motherless Finney washes away dark deeds by splashing in a pond or immersing himself right up to the nostrils in a nice warm tub. In one embarrassingly childish sequence, he regresses almost to the toddler stage. The camera pays more attention to Finney's tortured mental processes than to the all-important hatbox. The new Night trades a real...
...Other America, has at least a dozen sides to his personality. When he spoke at Winthrop House Sunday night, Harrington discussed poverty with a business-like precision, mixing a surprising realism with his energetic, crusading determination. Afterwards, in private, he was personable and easy-going, full of jokes and boyish charm. Throughout the evening, Harrington seemed entirely befuddled by his recent success...
...Holbrook is bouncy, boyish and blunt in the title role, and David Wayne's Great Khan suggests a sage who is more than makeup-deep. But Zohra Lampert, as a princess who falls helplessly in love with Venice's merchant prince, is as woefully miscast as she is woundingly lovely. The recurring plaint about Broadway's producers is that they do not know a bad play when they see one. Marco Millions raises the question even more pointedly. Why, with all its own resources and innumerable classics to draw from, did the Lincoln Repertory directors shoot their...