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...offering, FC 85, “Japan Pop: From Basho to Banana,” teaches anime and manga, alongside other eclectic elements of Japanese popular culture. FC 72, “Russian Culture from Revolution to Perestroika,” taught by well-liked professor Svetlana Boym, offers Revolution-era avant-garde art, socialist realist works (including Eisenstein and the cinematic montage school), and other decidedly cool Russian stuff.Our top pick is FC 76, “Nazi Cinema: Fantasy Production in the Third Reich,” taught by the world’s reigning authority...

Author: NO WRITER ATTRIBUTED | Title: Foreign Cultures | 9/14/2006 | See Source »

According to Svetlana Boym, who is the Reisinger professor of Slavic languages and literatures and professor of comparative literature, artists in the USSR offered a “vision of Paradise” that flatly contradicted the harsher realities of political purges, labor camps, and starvation...

Author: By Laura E. Kolbe, CONTRIBUTING WRITER | Title: Fascism's 'Flaming Motor' | 3/18/2005 | See Source »

...popular anthem of the era, for example, begins, “We were born to make fairy tales come true,” and presents an image of comrades working “with a flaming motor for a heart.” Boym noted the comic absurdity of the image: “If you know anything about the mechanics of motors, you know that ‘flaming’ is not a good sign!” Propagandistic art, she said, falls apart under close scrutiny because it was not intended for critical analysis. Instead of generating...

Author: By Laura E. Kolbe, CONTRIBUTING WRITER | Title: Fascism's 'Flaming Motor' | 3/18/2005 | See Source »

...Boym returned repeatedly to artistic “defamiliarization” of totalitarianism, using a term coined by Russian critic Viktor Shklovsky to describe literature’s ability to make the familiar elements of human life take on new significance—and even strangeness...

Author: By Laura E. Kolbe, CONTRIBUTING WRITER | Title: Fascism's 'Flaming Motor' | 3/18/2005 | See Source »

Ideally, defamiliarization can be an act of transcendence, making commonplace human rituals nearly sublime by elevating them to the realm of art. However, defamiliarization worked both ways, Boym argued. As a tool of Stalinist propaganda, art could lend a sense of wonder and exaltation, as in the harvest painting that declared the Stalinist slogan, “Life has become better. Life has become merrier.” The actual subject of the painting, a communal dinner in rural Russia, would itself have been unremarkable. But when metamorphosed into a massive genre painting as a monument to Stalinist benevolence, such...

Author: By Laura E. Kolbe, CONTRIBUTING WRITER | Title: Fascism's 'Flaming Motor' | 3/18/2005 | See Source »

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