Word: boyness
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Dates: during 2000-2009
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...gender gap has reopened: if girls were once excluded because they somehow weren't good enough, they now are rejected because they're too good. Or at least they are so good, compared with boys, that admissions committees at some private colleges have problems managing a balanced freshman class. Roughly 58% of undergraduates nationally are female, and the girl-boy ratio will probably tip past 60-40 in a few years. The divide is even worse for black males, who are outnumbered on campus by black females...
While educators debate whether there is a "boy crisis" that warrants a wholesale change in how to teach, colleges are quietly stripping the pastels from brochures and launching Xbox tournaments to try to close the gap in the quality and quantity of boys applying. "It's a gross generalization that slacker boys get in over high-performing girls," says Jennifer Delahunty, dean of admissions at Kenyon College, "but developmentally, girls bring more to the table than boys, and the disparity has gotten greater in recent years...
...camerawork and in their use of music, from arias to doo-wop, to underline an emotion. But he's also done a political doc (the 1970 Street Scenes, about antiwar protests), a loving portrait of his parents (Italianamerican, in 1974), a study of a very colorful friend (American Boy: A Profile of Steven Prince, 1978), a doc on couturier Giorgio Armani (Made in Milan, 1990) and epic valentines to old American and Italian cinema. His curiosity is insatiable. What he loves, he films...
...immaculate a tailor as Armani, Scorsese makes the tone of each film fit its characters. American Boy, like its subject, is fast, almost frantic, a movie on a cocaine jag. Italianamerican, a conversation with his parents about their lives in New York City's Little Italy and their roots in Sicily, has an earthy, homemade vibe--not surprising since it was made in the home he grew up in. The closing credits include his mom's recipe for spaghetti sauce...
...Runcie ’10 and Sonia G. DeYoung ’10 and produced by Joy Ding ’10, which runs through this Friday in the Loeb Ex. The play details the deliberation of a jury that must decide the fate of a 16-year-old boy on trial for murder. Although the actors are initially a little slow to lose their student demeanors, as they sit down to discuss the case, their characters emerge with convincing force. As a company, the cast evokes not only the heat of the play’s summer setting...